Jules Bodenstein
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Not sure why you are creating a new sequence for the export.
From what you have described it seems to me that the most straight forward way for you to achieve the letterboxed 4×3 playout would be to export from your original sequence using quicktime conversion and selecting a 4×3 frame size (if you are NTSC, which I assume you are due to the 60i, I believe its 654×480 – I’m in PAL-land)and then select preserve aspect ratio by letterbox and you are good to go.
Gaz Evans
Workflow Technician
The diROOM
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Jules Bodenstein
October 20, 2011 at 4:12 pm in reply to: h.264 to compressor — 80 hour compression time?Hi Aemilia,
One thing I always find when rendering h.264 in compressor is that it never gives an accurate time estimate. I have rendered many a 30min file which has after an overnight render said it has 9+hrs left to go yet finishes 30mins later.
Gaz
Gaz Evans
Workflow Technician
The diROOM
https://www.diROOM.com -
In order to monitor your playout accurately you will need a calibrated monitor. The reason broadcast monitors are expensive is that they a fully calibratable and have numourous I/O options.
Something you could do to make the images on your monitor more representative of the output is to load some SMPTE bars in AE and then adjust your monitors display settings until the bars look correct. This will not be as good as having a broadcast monitor but it will improve your monitor view without costing a fortune
Gaz Evans
Workflow Technician
The diROOM
https://www.diROOM.com -
Jules Bodenstein
October 3, 2011 at 9:24 am in reply to: Getting a cheap mac for exporting/convertingFor support reasons I would suggest not going for the G4 and instead go for one with an intel core – mac minis from 2007 onwards should be able to cope with encoding and converting but they will have low specs than a lap top of that age so I wouldnt imagine it would be much faster than your MBP.
Gaz Evans
Workflow Technician
The diROOM
https://www.diROOM.com -
It sounds like it may be an issue with the amount of ram you have – what is spec for your system?
Gaz Evans
Workflow Technician
The diROOM
https://www.diROOM.com -
Jules Bodenstein
September 19, 2011 at 1:23 pm in reply to: Where to buy Avid Media Composer Academic in UK?I get all my avid things from Jigsaw24 – They did the Avid academic software last time i checked. https://www.jigsaw24.com/
Gaz Evans
Workflow Technician
The diROOM
https://www.diROOM.com -
I’ve had a similar issue with R3D and DSLR material and it was solved by altering the timeline conform options so that the source clip file pathname was used to get the reel number.
Gaz Evans
Workflow Technician
The diROOM
https://www.diROOM.com -
Can’t say that there isnt a way for definite but if there is I haven’t found it – was looking into that a while back.
Gaz Evans
Workflow Technician
The diROOM
https://www.diROOM.com -
I would suggest double checking the pathname set up on the timeline control options in the config to make sure its reading the reel name of the footage correctly.
Gaz Evans
Workflow Technician
The diROOM
https://www.diROOM.com -
Hi,
When I need to get some rendering done quick I use a render farm, they are less expensive than people think and the client is usually happy to take the cost. The one I use is Render-IT (https://www.render-it.co.uk).
Gaz Evans
Workflow Technician
The diROOM
https://www.diROOM.com