Juan Salvo
Forum Replies Created
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Curious how you would do such a thing, the currently available methods in photoshop would produce a mismatched white point.
https://JuanSalvo.com
https://theColourSpace.com -
Nat, worth noting the op was a asking for a LUT coming from XYZ, a simple OoG operation isn’t going to cut it. You need a proper color encoding conversion first.
https://JuanSalvo.com
https://theColourSpace.com -
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No one listens until they get burned. If you’re lucky it’s only a small one.
https://JuanSalvo.com
https://theColourSpace.com -
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“Quicktime gamma shift ” is a misnomer for people who don’t know what they’re doing. 😉
I have perfectly consistent and valid results by using the correct data type, and container, and making critical evaluation on an external monitor that has been properly calibrated.
The fact is when you’re playing any sort of media in a OS environment there are a huge number of variables as to how that material will be displayed. If any of those are off the result will be inconsistent (as was the case with the OP). By using baseband video you bypass most of those OS and software gotchas. But QuickTime isn’t inherently any worse at this than other media containers, in fact thanks to ColorSync it’s often better.
The OP was monitoring with data levels in an environment that probably expected video levels, when he then rendered that out and brought it into fcpx he got lifted results. As he was clipping on output prior. That, btw, is not a “gamma shift”, it’s a level scaling misinterpretation.
https://JuanSalvo.com
https://theColourSpace.com -
[Adam Halasz] ” but if there’s more than 1 subtitle file for 1 film (2 or more languages), what then?”
DCPs don’t have “subtitle menus”… you need to author a different package for each variation. In the case of relatively complex packages, I’d recommend hiring a proper DCP author.
https://JuanSalvo.com
https://theColourSpace.com -
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He doesn’t call himself “the oracle” for nothing. 😉
https://JuanSalvo.com
https://theColourSpace.com