Jon Zanone
Forum Replies Created
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Not on a PC..
So you are using an extermal monitor on a laptop. Have you gone into windows settings and identified which monitor is 1 and which is 2?
Jon
Be curious, not judgmental.
Walt Whitman -
Big time sports have big time lawyers…
Maybe there’s a mid-major college team near you? You can usually get to the sports info director a little easier and explain what you want…
Jon
Be curious, not judgmental.
Walt Whitman -
Well, Quicktime is the native format for Avid, so I’m not sure where that piece of advice came from…
If the .avi plays on your Mac, your Avid should import it.
I’d go with the H.264 Quicktime…
Jon
Be curious, not judgmental.
Walt Whitman -
Not sure about MC, but this is a 5 minute job in After Effects.
Jon
Be curious, not judgmental.
Walt Whitman -
I’m pretty sure the resolution has to be the same on both screens…
Jon
Be curious, not judgmental.
Walt Whitman -
Do you have the correct input selected in the digitize tool? I’ve found, especially with consumer level cameras, it’s easier to capture in Windows movie maker. You’ll get an AVI, and it’s easy to import into Avid. The manual talks about a firewire interface – you’ll get better quality than going analog…
Jon
Be curious, not judgmental.
Walt Whitman -
I think you’ve answered your question. Do you have a dongle? XPress needed a dongle to work.
Jon
Be curious, not judgmental.
Walt Whitman -
Not sure about the maximum number in a group. The maximum visible and playing in realtime is 9, as long as the resolution is an ‘m’ resolution…
Jon
Be curious, not judgmental.
Walt Whitman -
Probably. Avid very picky (not as much as it used to be, but still) about what OS, video card, RAM…
You do have your timeline quality set to full green?
Jon
Be curious, not judgmental.
Walt Whitman -
The only way I’ve ever made a lot of pan & zooms work is to mix down segments as I go. Not elegant, but it get’s me through…
Jon
Be curious, not judgmental.
Walt Whitman