[John Pale]

If she syncs from the timeline, she can just delete the unwanted tracks before Autosyncing.
I’d save a duplicate of the sequence before doing that, so if you end up needing the ISOs you can still find them easily.

[John Pale]

Actually, you can.

No need to reformat. It’s just an extension that lets your computer read/write to a “foreign” file system.

[John Pale]

Link via AMA, then Consolidate if you are on Mac,
If on PC, transcode to DNX 185x

Then try your export. Don’t do your export with AMA linked media.

As you have seen, legacy import will give you a gamma shift.

[John Pale]

Give this a shot. Convert as is (23.98) to ProRes. Open the ProRes clip in Cinema Tools and conform back to 59.94.

[John Pale]

https://www.tcelectronic.com/adobe-loudnessradar/

https://www.larryjordan.biz/adobe-premiere-pro-cc-video-limiter-video/

[John Pale]

Your default audio settings may be set to center pan. You might want to change this, to prevent future problems.

[John Pale]

Steve Hullfish has a good workflow section in his new book Avid Uncut.

I’ve not had cause to use this new capability…seems like Europe is adopting it faster.

[John Pale]

John, you did not state what version of MC you were using.

Daniel may not have been able to reproduce the error because a bug has been fixed in his version.

[John Pale]

I don’t have experience with it, but Avid can do this with AS-11 export. This is the new file based delivery export function in MC7. The file compression used can be AVC Intra 100.

[John Pale]

Avid can track different timecode rates during your edit. FCP does not have this function

Here’s an idea. Make a 12 minute NTSC sequence. Insert a black slug for the duration of the program. Put a timecode window burn filter on it and the export as a QuickTime movie.

You can now position this movie on a higher track over your future shows (crop the black so that you can see the underlying video.)