Forum Replies Created

Page 64 of 413
  • John Pale

    October 11, 2014 at 3:29 pm in reply to: Can’t consolidate Prores HQ

    Open it in Quicktime Player and get info on it.

    Several times I have encountered files that were encoded with AAC audio (believe it or not, some programs have that as the default setting!).

    Sometimes, the problem is not the video.

  • John Pale

    September 23, 2014 at 12:32 am in reply to: Media Composer louder than other Mac software

    Monitor output level from Media Composer can be adjusted via the Audio Tool.

  • John Pale

    September 23, 2014 at 12:30 am in reply to: upgrade to support plan what happens to boris?

    BCC 8 works fine in MC7 and 8.x.. It doesn’t go away. No need to upgrade unless you need new features in BCC9.

    You can keep your existing Avid FX, but not sure it will be 100 percent stable with MC 7 or 8.x.

    Neither of these products can be upgraded via Avid as they are no longer bundled. You have to deal with Boris for upgrades,

  • John Pale

    September 20, 2014 at 5:48 pm in reply to: Can’t Match Frame gfx….

    Typing subsys monopane debug into the console temporarily allows loading of precomputes into the source monitor.

    Not sure if it’s helpful, but it’s been one of those “secret” console tricks for many years.

  • John Pale

    September 13, 2014 at 1:56 pm in reply to: EDL Manager not opening EDL

    If you don’t want to send out a single “flattened file”, it’s probably better to Send to FCP, then use Automatic Duck to get to Avid.

    Honestly, Color has been discontinued for years. Probably better to start your transition to using Resolve on your next project, as there is a real workflow in place for that. Color never had a bulletproof workflow to go to anything else but FCP.

  • John Pale

    September 10, 2014 at 2:59 pm in reply to: Transcoding in Adobe for Avid system

    If you still want to go with Adobe, Media Encoder can encode to MXF OP1a in the DNXHD codec, and does so much faster than transcoding to the QuickTime version off DNXHD. After linking to these files via AMA, you can consolidate in Avid. I think I would still go with Resolve, but AME is not painful.

  • John Pale

    September 2, 2014 at 12:48 pm in reply to: Promote multiple PIPs to 3DWarp

    Michael would probably know better than anyone, but I believe PIP and the other similar old school DVE effects are pretty irrelevant these days and probably still exist to maintain backward compatibility with sequences created on old Meridien and ABVB hardware.

    I rarely use the HQ button, as the render time is much longer and the payoff in quality is usually barely, if at all, noticeable. Your mileage may vary.

    Didn’t realize AutoDuck converts to PIP. Maybe that was the simplest way Wes could come up with to translate the effect. I’ll have to see what the Boris Translate plugin does.

  • John Pale

    September 1, 2014 at 2:37 pm in reply to: Promote multiple PIPs to 3DWarp

    No, you need to open the effect editor and click the button. No way to do it in a batch, as far as I know,

    Trying to see a scenario where it would be all that necessary. There is no visual difference that I am aware of between the PIP and promoted 3D Warp version, so there is no reason to promote unless additional parameters are needed. If you need to tweak the parameters that are available in 3D Warp, you have to open the Effect Editor anyway, and promoting takes only an extra nanosecond or two.

  • John Pale

    August 29, 2014 at 3:17 am in reply to: Remove all color correction from a sequence

    Apologies. Don’t know what I was thinking. You are right. It does not work.

  • John Pale

    August 28, 2014 at 12:52 am in reply to: Remove all color correction from a sequence

    When in color correction mode, the remove effect button will only remove color corrections. You can select all and delete them

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