Forum Replies Created

Page 136 of 413
  • John Pale

    October 26, 2011 at 3:27 pm in reply to: Convert PAL HD (XDCAM 720p50) to SD NTSC DVD

    “You can down convert to SD and convert to SD in one step though”

    I meant you can down convert to SD and convert to NTSC in one step.

  • John Pale

    October 26, 2011 at 3:23 pm in reply to: Convert PAL HD (XDCAM 720p50) to SD NTSC DVD

    Yes. You need the intermediate step of converting to NTSC. The MPEG encoder doesn’t do standards conversion…it’s very complicated to make the GOP structure while converting standards.

    You can down convert to SD and convert to SD in one step though. Use Pro Res or Uncompressed 8 bit for your intermediate file.

  • John Pale

    October 25, 2011 at 5:41 pm in reply to: Avid timeline settings….please assist!

    You can’t.

    You need to create a new project . You can move bins containing footage at any frame rate into that project. When that footage is placed in a timeline, a Motion Adapter will be applied to convert the footage to the project frame rate.

    (in version 5.x anyway)

  • John Pale

    October 25, 2011 at 2:48 am in reply to: Decklink convert 29.97 to 23.976

    Decklink will remove pulldown but it will not CONVERT 29.97 to 23.98. If your footage is plain old 29.97 interlaced footage, no capture card will convert that to 23.98 smoothly. You need a Teranex, Snell and Wilcox, etc. for that.

  • John Pale

    October 25, 2011 at 12:45 am in reply to: Decklink convert 29.97 to 23.976

    The Decklink will not convert video frame rates. Nor will any other capture card.

  • John Pale

    October 23, 2011 at 7:02 pm in reply to: Vimeo Clips into FCP 7- not working

    The file may be protected. I ran into this once even though I had permission to use it. Client had to supply a new file

  • John Pale

    October 22, 2011 at 5:34 pm in reply to: EDL logging and reconnecting media problems…

    The Canon Log and Transfer plugin is a bit buggy and the timecode it derives from the THM files should not be considered 100% reliable.

    Consider your ProRes files your masters and back them up accordingly. As has been stated, they are more suitable for editing and grading anyway. No need to go back to H264.

  • John Pale

    October 21, 2011 at 3:14 am in reply to: Rumor: MC 6.0 announcement

    Nope. Pro Tools. AES is an Audio Convention.

  • John Pale

    October 20, 2011 at 1:20 pm in reply to: Making more space on HARD DRIVE

    Although “under the hood” each drive, whether internal or external, has its own trash folder, they are all controlled via the desktop as a single trash can. So emptying your desktop trash also empties the external drive trash.

    It’s possible to empty them individually via the terminal, but that’s rarely needed in general use.

  • John Pale

    October 18, 2011 at 12:47 pm in reply to: Migrating from Final Cut Pro 6 to which new version?

    If you don’t want to give it a go with FCPX…which is buggy and strange, but does have a bit of a following…
    Take a look at Adobe Premiere Pro in the Adobe CS5.5 Production Bundle. Pretty much offers the same thing that FCP used to offer.

    FCP as you knew it is dead.

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