John Ladle
Forum Replies Created
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it comes with two 6′ long cables in the k-box identical to the back of the card. you need to keep them both plugged in, but they are tightly grouped on the back of the k-box as they are on the card, so there should not be any clutter issue…you can easily keep them bundled together with plastic fasteners or whatever.
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you can meet me in peerson and get more than you ask for…beside…people know me ; )
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stability, tech support and real features here today are important. announcements that allegedly take place in december are not worth much more than the paper they are printed on…and 6 months is a long time! free and supporting your current products are important as has taken place with all owners of IO’s, Kona LS & Kona 2. hardware uprez is important. the new converters fit nice markets–the embedder and disembedder add functionality to decks like the 1200a. but i guess none of these are news worthy if uptime, workflow, support are irrelevant to your needs.
just a quick note, pthe roper operation of a web browser when posting to forums is sorta important too…it adds credibility when you do not triple or quadruple post your comments all in a row in one forum…
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the advantage of this is FILM. digital intermediary to film. and you can always downconvert to broadcast.
i believe sony explicitly stated this is a film replacement technology.
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other than affordable real HD, multicam which actually helped catapault avid back in the day if can can properly attribute some successes, and the whole DI for 2k and now 4k film, 4 GB fibre, dual 4GB fibre, and coming soon, 4x4gb fibre via PCI x that makes the playback for 4k film, yeah the show was a snoozefest!
or maybe the death of avid is boring to some. game over!
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the kona 2 supports dvcpro HD fully! that would be in every manner–up convert to it, downconvert from it, etc…plus accelerates it in the timeline through FCP realtime extreme architecture…
23.98 is the magical framerate in FCP, this is an FCP thing.
kona 2 has 3 outputs which are all part of the hardware structure–you can go HD SDI out to the deck, HD SDI to an HDP flatpanel or directly to an SDI/HD SDI display while still doing an NTSC monitor with downconvert. all without taxing your processor. run the CPU monitor test to see for yourself! all just by pressing play in the timeline.
the upres is based on HD SDI/SDI input, but kona 2 will ingest analog/component through the HD-SDI of the KONA with an AJA D10AD converter for the video signal can accomodate this and the kona 2 should be able to upconvert this.
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audio scrubbing off by any chance? shift S toggle?
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dude,
do you still attend school via transportation on the little yellow bus? curiously, what are your rates?
on a serious note, good luck in life and your search for one.
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if your just logging clips, do whatever. keep the tape obviously. you will heal quicker from a cpu crashed project than from a good snowboarding wipe, that is for sure.
what you will see most editors who have long careers say is to wait. it is like playing texas hold ’em–going all in works every time except once!
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sorry, i just don’t like trolling–especially rolling it back on a company as good as AJA. take it however you take it–probably with a main helping of DV footage.