Replies – Forums – John Kaley – Page 10

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John Kaley
April 19, 2011 at 2:47 pm in reply to: 29.97 to 23.98

You can change the sequence settings to 23.98 and then export (CMD+0 opens current sequence settings)
John Kaley
April 13, 2011 at 1:59 am in reply to: Supermeet

Live blog here:
https://www.photographybay.com/2011/04/12/final-cut-pro-user-group-supermeet-liveblog/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed:+PhotographyBay+(Photography+Bay)
John Kaley
April 11, 2011 at 3:52 pm in reply to: What to use when we stop using Final Cut

Avid will take you back for 1000 sticks.
https://www.avid.com/US/specialoffers/fcppromotion?intcmp=AV-HP-S3
John Kaley
March 15, 2011 at 11:29 pm in reply to: H.264 Workflow

[James Whittington] “If I organize my new project exactly the same…same folders, file names, etc…only difference being the footage codec, is there a way to transfer those sequences over using XML data or something?”

If everything remains the same, you can simply relink the new ProRes clips. You can also export XML’s of the current sequences and relink too.
John Kaley
March 15, 2011 at 6:41 pm in reply to: H.264 Workflow

If the DP was REALLY nice they would have converted all the footage to ProRes first. As you’re finding, FCP just can’t handle H.264 as of version 7.
John Kaley
March 3, 2011 at 12:22 am in reply to: Gamma Shift on Exported Clips during fade to black

Are you exporting using “Quicktime conversion” or just exporting with current settings? I’ve never had luck with QT conversion out of FCP; I always use current settings.
John Kaley
February 23, 2011 at 7:24 pm in reply to: h.264 in FCP

Shane,
You need to change your signature line to: “I’m here to chew bubble gum and kick a$$. And I’m all out of bubble gum”.
John Kaley
February 16, 2011 at 9:37 pm in reply to: AF100 Output noise

I’ve never had much luck with QT conversion from FCP. I always send out a self-contained QT with the sequence settings and encode from there.
John Kaley
February 16, 2011 at 6:25 pm in reply to: 29.97 to 2k scan and filmout

I’d do a quick test with the audio guys if possible. It seems like the sync will be accurate at 23.976 or 29.97. 6 minutes at 23.976 or 29.97 with 3:2 pulldown is still going to be 6 minutes long.
John Kaley
February 16, 2011 at 5:44 pm in reply to: 29.97 to 2k scan and filmout

Since it was telecine and edited in 29.97, you probably don’t have a clean 3:2 cadence throughout the master. (unless all of your edits were on “A” frames) Getting back to clean 24p from the master will be a challenge.

Are you reloading the old project?

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