[John Fishback]

Try a screen capture using an app like SnapProZ https://www.ambrosiasw.com/utilities/snapzprox/

John

Dual 2.5 G5 4 gigs RAM OS 10.4.3 QT7.0.3
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[John Fishback]

If you’re doing any cropping or filtering, that can affect the encoding time.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.3 QT7.0.3
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[John Fishback]

Michael G is right. Just normalizing will not make all the clips have the same apparent volume. For instance, if a file has a loud noise like a cough or a clap, that sound peaks much higher than the normal audio. Let’s say your average audio peaks to -12 and the clap goes to -3. In that case normalizing will raise the volume of the entire track about 3 db (so the loudest sound doesn’t clip over 0). Now, let’s say another clip has no coughs or claps and its average audio stays around -12. Then this clip’s gain will be increased about 12 db or 9 db more than the other clip. Obviously, this clip will sound much louder than the first. The only way to avoid this would be to use an audio compression plugin to restrict the peaks. You might be able to batch process that, but a compression setting that works with one clip might not sound good with another.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.3 QT7.0.3
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ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
SonicStudio HD DAW, Yamaha DM1000, Genelec Monitors

[John Fishback]

You could also try a combination of Matte’s idea of using a gate with adding music. Don’t gate harshly and the music may cover any pumping effects.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.3 QT7.0.3
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[John Fishback]

Josh,

I am interested in being able to capture times that get used as cue points in Flash. Is this possible with your program? If so, when might that be available? Thanks.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.3 QT7.0.3
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[John Fishback]

I have Squeese 4.3 for Flash, but it doesn’t come with the VP6 codec. I was hoping to avoid the additional cost of the On2 codec since I had Cleaner which did the filtering well and fast. Looks like I’ll have to bite the bullet and purchase the codec.

Thanks for the advice.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.3 QT7.0.3
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ATTO UL4D driver 3.50
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[John Fishback]

There’s a post about this a bit down this forum: https://forums.creativecow.net/cgi-bin/new_read_post.cgi?univpostid=855688&forumid=30&postid=855688&pview=t

The solutions mentioned there require unclipped audio to either side of a clip in order to synthesize replacement audio. From your description it sounds like your audio is totally clipped. If this is the case, IMO there’s not much you can do.

This is another example of the need to use a sound professional on a shoot. It’d be nice if a cameraman would pick up an audio problem like this, but it’s not what they’re being hired to do.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.3 QT7.0.3
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[John Fishback]

MPEG Streamclip is a free app that will help you do what you need. I used it recently when the only source was a DVD of a corporate project. I used the 8-bit uncompressed codec and was amazed at the quality. I got much more that I expected. https://www.squared5.com/svideo/mpeg-streamclip-mac.html

John

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[John Fishback]

Graeme is great. Another good one is Dissolve Factory.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.3 QT7.0.3
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[John Fishback]

If you search this forum and the Final Cut Pro forum for “sound effects” and/or SFX you’ll find a lot of recommendations for online sound effects sources. Some are free others charge a few dollars per effect. It varies.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.3 QT7.0.3
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