Joey Trimmer
Forum Replies Created
-
I’m still getting this incredibly annoying issue even after updating to 14.0.1.5 on OSX
Is there no true fix to this still?
\”I\’m your density. I mean, your destiny.\” – George McFly
-
Great suggestions! I totally forgot about Mesh Warp but I’m going to try that as well as Displacement Map and see what yields the best results. Really appreciate it.
“I’m your density. I mean, your destiny.” – George McFly
-
I have a Sigma 17-50mm that I really like and is super affordable with optical stabilization. I may pick up the Tokina 11-16mm as well. Also, check out Rokinon for some more options.
“I’m your density. I mean, your destiny.” – George McFly
-
I share your frustration with KeyLight. I always have a better initial result with Premiere’s UltraKey. I think Dave’s Alpha matte technique is worth a shot though. Otherwise, changing your workflow to key in Premiere and then bring the sequences into After Effects is another way to go. Good luck!
“I’m your density. I mean, your destiny.” – George McFly
-
Hey that’s fantastic! I actually really enjoyed that title sequence. The juxtaposition of imagery over the characters was really cool. Complex roads over Woody Harrelson almost looked like muscle tissue.
“I’m your density. I mean, your destiny.” – George McFly
-
Have you tried adjusting your sampling quality under Physical in your render settings? Maybe try upping that and if that doesn’t work I’d also adjust anti-aliasing settings. Hope that helps!
-
Just chiming in to say that Adam’s recommendation for Video Copilot is a great one. I’ve used their Action Essentials 2 stock for a lot of projects, especially the fire fx. They are shot HD and pre-keyed.
You could then add the video to a material and put it directly in your scene but I would use After Effects for this as well.
-
Is the center point on the object in the wrong spot? It should be perfectly center since it’s a square but figured I’d ask just in case it’s something small like that.
-
Hi Mike,
I believe you want to preserve the underlying transparency of your text.
You have have to expand the controls in your comp timeline to see the option, but I’ve uploaded a couple images to demonstrate what I mean.
Just tick that box on each layer you want to apply to the text. Hope that helps!
-
It seems to me that these these are mostly hand drawn elements and animated using a looping turbulent displace effect so that the lines wiggle between frames.
There is also a texture that looks like it loops on top of everything. Maybe a fractal noise could help with that or create these in photoshop and overlay them on top of your footage.
