Forum Replies Created

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  • Joe Procopio

    December 10, 2009 at 9:49 pm in reply to: cross convert out problem

    question is what haven’t we tried for genlock…in 2 separate systems…lol…1080i, 720p, 525…everything but 1080p…

    Broadway Video, NYC
    AVID/FCP editor/engineer

  • Joe Procopio

    December 1, 2009 at 5:54 pm in reply to: Autoduck question

    must be sequence, thanks! it’s going the other way, from FCP to AVID, but same thing…AD Export

    Broadway Video, NYC
    AVID/FCP editor/engineer

  • Joe Procopio

    November 24, 2009 at 4:54 pm in reply to: weird audio sync issue…on timeline

    nope…starting on a clip….if you stop, then play, back in sync….

    Broadway Video, NYC
    AVID/FCP editor/engineer

  • Joe Procopio

    November 24, 2009 at 3:58 pm in reply to: HD/SDI from MBP display port?

    as long as you get the correct signal converted to HD/SDI, just make sure the monitor you are going to is calibrated correctly from the signal it is being fed.

    what model monitor are you planning on going to, and does it have a blue only mode to set up color on colorbars? just send HD color bars out of the FCP, set your black level with the pluge, the white level so it doesn’t clip any whites, and your color with blue only, and you’re set…or hire someone to correctly calibrate the monitor with professional calibration gear, colorimeter…etc…if you’re near NYC, you could hire me!

    Broadway Video, NYC
    AVID/FCP editor/engineer

  • Joe Procopio

    November 2, 2009 at 8:55 pm in reply to: G-Tech 2TB & eSata card on Mac Pro

    check out the OWC 2tb drives….VERY nice…sonnet tempo sata e2p card is fine with leopard…they just came out with the SL driver…

    Broadway Video, NYC
    AVID/FCP editor/engineer

  • Joe Procopio

    November 2, 2009 at 7:41 pm in reply to: monitoring 2k offline FCP7/Kona3

    i thought prores 422 was 8bit and prores 422 HQ was 10bit….

    Broadway Video, NYC
    AVID/FCP editor/engineer

  • and some people don’t know it’s distorted

    Broadway Video, NYC
    AVID/FCP editor/engineer

  • Joe Procopio

    November 2, 2009 at 2:14 pm in reply to: monitoring 2k offline FCP7/Kona3

    okay, so with the Kona…I didn’t see any 23.98 to 59.94 conversion in either the view settings in FCP or on the control panel…but i ended up having to stop my testing short since the client who wasn’t supposed to be in, came in, lol…figures…

    we have been running the BM card with the 23.98 to 59.94 conversion in the view settings…but we’ve been having problems…we get crashes every so often…and the canvas and output on the plasma both go green….

    we have been getting around some of this by sending the output to the preview monitor…(we use a 24″ LED Apple Cinema Display for editing, and have a 30″ Apple HD…)and that works well, but when others are in to view…they use the plasma.

    one other issue we have been experiencing in….you guessed it, drop frames…playing back 2k media on our san drops frames every so often….a workaround that I’m going to tell the editor is to edit in 1080p 23.98 instead of 2k sequences…that may help dropped frames….

    thanks for the responses and feedback!

    Broadway Video, NYC
    AVID/FCP editor/engineer

  • Joe Procopio

    November 2, 2009 at 2:07 pm in reply to: monitoring 2k offline FCP7/Kona3

    Kona installer did not ask to uninstall anything…but when I opened the FCP, there were no BM codecs…and I did run the conflict checker…and it didn’t find anything…

    the BM driver was still there, so i uninstalled them with the uninstaller program…

    Broadway Video, NYC
    AVID/FCP editor/engineer

  • Joe Procopio

    October 21, 2009 at 4:28 pm in reply to: anyway to open 7 project in 6?

    anything i should know for the xml export? there are a few different types listed there

    Broadway Video, NYC
    AVID/FCP editor/engineer

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