Joe Barta iv
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We use Screen Light, https://screenlight.tv a great, simple service.
It’s not real time, but we can upload versions quickly and the client can make comments. Their comments are tagged with the time in the video so you can see exactly what they are referring to.Joe
Living the SuiteLife!
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It looks like you are changing the frame rate from 30fps to 29.97fps, that will slow rendering a bit. Also, you have Maximum Render Quality on, you don’t need it if all you did was add audio. Match the frame rate to the original source, let YouTube make the correction if it needs to, and turn off the Maximum Render Quality, see if those two things will speed it up.
Joe
Living the SuiteLife!
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Buy a small portable drive and FedEx it to them. Include the price in your production invoice.
Newegg.com 250GB drive $36. There are many options out there.
Joe
Living the SuiteLife!
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In Premiere, under Preferences, change the Still Image Default Duration to 1 frame. Then import your images. If they are numbered sequentially, you should be able to select them all and drag them right onto a timeline.
Joe
Living the SuiteLife!
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We’ve gotten better results with RX4 for noise removal. Most of the time it’s a one-click solution, but there are plenty of tools to tweak if you need to refine it. We like it a lot. It has been a good addition to the CC suite.
Joe
Living the SuiteLife!
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It does sound like the interlacing is burned into the progressive file. The only way to correct it is to try to obtain the original camera file.
Joe
Living the SuiteLife!
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Try a different Smoothness Method instead of the Subspace Warp, there are three other options. Play with all the options on a clip that doesn’t work with default. It takes a while, but sometimes you can reach a happy medium with the effect.
Joe
Living the SuiteLife!
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Try exporting as a QuickTime or ProRes file first, they are usually more stable, then convert to H.264 in Media Encoder.
Joe
Living the SuiteLife!
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Correct.
In your video clips you want the pure blacks in the image just barely touching the 0 line and the pure whites just barely touching 100. Everything else falls in between.
If you have trouble with a clip, apply the Broadcast Colors filter in Premiere and it will clamp down the whites to legal levels.
Joe
Living the SuiteLife!
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Here is where they show up on the scope in Premiere, color bars generated by Premiere. I also use an external scope which shows the same reading.
Joe
Living the SuiteLife!
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