[David Battistella] “Are you saying that the Kona 2 is a smooth 60i to 24P downconverter”
Nope. Varicam has the ability of shooting variable frame rates. It is a rather long technical explanation of how it exactly works that is not appropriate to go into here. I’m sure you can find technical details around the web, maybe a varicam manual to start, or perhaps over at ken stone’s site for some plain english http://www.kenstone.net. In fact here’s a link after a quick search that will help explain the varicam workflow (without the kona 2)
https://www.kenstone.net/fcp_homepage/dvcpro_hd_workflow_balis.html
The Varicam shoots 60p (not 60i). It also shoots frame rates between 4 and 60 frames per second progressive which you can then convert to slow down or sped up footage.
You can capture uncompressed using the Varicam specified easy set ups (for instance 8 bit 23.98 Varicam), but you won’t be able to use the software frame rate converter because it only works with the DVCPro HD codec and the embedded rp-188 stream. Capturing uncompressed can only happen when your shooting frame rate matches your playback frame rate. In order to get the full functionality of the over or under cranked footage you must digitize at 60p (59.94) in the DVCPRO HD codec and then use the software frame rate converter plug-in (which is free from Panasonic’s website) to get you to the intended speed. Hope this is a good starting point.
Jeremy
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G5 Dual 2Ghz <> 4GB RAM <> FCP 4.5 <> Kona 2
ATTO 42XS <> Huge Systems 1.25 TB 4105 Fibre