Replies – Forums – Jeff Greenberg – Page 41

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Jeff Greenberg
November 7, 2011 at 1:39 am in reply to: Rendering in FCPX

[Jeremy Cole] “grinds to crawl as the background rendering eats up all of the computer power (Macbook Pro 2.55, 4 meg of memory)”

Yeah, 4 gigs is just barely scratching the surface; 8 is helpful; 64 bit apps will eat it all up. I’d suggest rendering after the fact, at specific times, rather than using background rendering.

[Jeremy Cole] “I also seem to lose in-points with great regularity.”
Click on the clip and they disappear. One method people use is F- favoriting that section of a clip.

[Jeremy Cole] “where are the updates that were promised last summer? One small update does not make an update stream. Wish Apple would communicate more about where they are headed and get more user input.

Here’s a link where apple lists the exact changes for 1.01. You’ll never see them communicate more about where they’re headed; that’s been a long term marketing plan of theirs. Apple does as Apple does with such things.

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website
Jeff Greenberg
November 7, 2011 at 1:33 am in reply to: How to Use FieldsKit in Adobe Premiere Pro CS5.5 ?

[maiko jestamiro] “Final Output movie shows the ORANGE CROSS LINE printed ” RE:Vision Effects, inc.””

This sounds like the serial number hasn’t been inputted. Since it’s your first use of FieldsKit and it’s not working right, why not contact revisionfx? They have a great support group found at this link.

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website
Jeff Greenberg
November 7, 2011 at 1:30 am in reply to: Video Won’t Display

How about if you trash the prefs?

com.Adobe.Premiere Pro.5.5

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website
Jeff Greenberg
November 5, 2011 at 4:18 pm in reply to: Compressor Data Rate Question

Any reason you’re not using the apple preset for youtube? It runs at either 8k or 20k (depending on your version of compressor.) The larger the file, the less compressed, the longer the upload – and know that youtube will recompresses from what you send them.

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website
Jeff Greenberg
November 5, 2011 at 4:12 pm in reply to: Sorenson Squeeze 6 best settings MPEG

You want an MPEG2 transport stream (MTS) or an MPEG2 Program Stream (MPG). You’ll need either the specs or an existing file to determine how squeeze should be setup.

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website
Jeff Greenberg
November 5, 2011 at 4:07 pm in reply to: AMA Clips, and how to find them

On the timeline, in the fast/hamburger menu, there’s a choice that says ‘clip text’. Activate the choice called “Source Media.” Every AMA clip should now have the text in your timeline called AMA.

You can also run a sequence report where it then shows you a list of shots that are AMA.

Last, you can dump the sequence in it’s own bin, choose Bin Display, and show reference clips; by adding the Column for format, you should be able to quickly sift/sort the AMA clips.

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website
Jeff Greenberg
November 5, 2011 at 4:04 pm in reply to: Avid media composer 5.5 Audio And Video out of Sync

The ‘easiest’ way to keep elements is sync is sync locks; it’s the little switch the the left of the TC1 track. Full article on it here.

Andrew gave you all three ways, read his reply in depth.

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website
Jeff Greenberg
November 5, 2011 at 4:02 pm in reply to: Relinking AMA to Transcoded files

Unmount all the AMA volumes (not necessary) and relink. Choose a specific resolution. The sequence (and clips if you select them) ought to relink.

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website
Jeff Greenberg
November 5, 2011 at 3:58 pm in reply to: Upgrade price

Unless you’ve done it in the last 30 days, probably not. I don’t know for sure, but generally, they see it that you got use of MC between 5 & 5.5.

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website
Jeff Greenberg
November 5, 2011 at 3:55 pm in reply to: color finesse

Could it be that you’ve changed your scratch disks for a different project but not the one you’re using? Premiere Pro sets this in a project specific method, with the default being alongside of the project.

What if you moved the project to the ‘free’ drive?

Best,

Jeff G

Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
New- my book (with Richard Harrington and Robbie Carman)- An Editor’s Guide to Adobe Premiere Pro
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website

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