Forum Replies Created

Page 132 of 146
  • Jeff Greenberg

    January 28, 2011 at 2:58 pm in reply to: canvas aspect ratio

    If you’re using the DVCProHD 720 preset, it’s actually 960×720 and will look closer to 4:3.

    It sounds like the switch “Correct for Aspect Ratio” isn’t on.

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

  • Jeff Greenberg

    January 28, 2011 at 2:55 pm in reply to: MacPro Optical Drive – Won’t read burnt DVD’s

    It sounds like the drive is going bad unfortunately. SimilarlyI’ve seen a number of drives that read/write CDs but not DVDs.

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

  • Jeff Greenberg

    January 28, 2011 at 2:51 pm in reply to: MC5 on Mac consolidate to NTFS drive

    How’s paragon’s overall performance? I’ve tried macfuse – and it’s a bit slow…or you go for the NTFS beta and it’s dicey.

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

  • Jeff Greenberg

    January 26, 2011 at 2:35 pm in reply to: Scripting / Automating bulk clip renames

    Dicey.

    The issue is that you’d want to change the internal name in FCP and leave the source alone. Tough; I’d test it with the XML and a decent text grep search/replace. Easier to do it at the finder level and reimport from scratch.

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

  • Jeff Greenberg

    January 26, 2011 at 1:18 pm in reply to: ASF to Final Cut Pro

    What else can G64 output to? ASF is really compressed. AVI? WMV? Images?

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

  • Jeff Greenberg

    January 26, 2011 at 1:14 pm in reply to: 2.20:1 Aspect ratio for Features?

    If you’re doing a film out? There are no standards. Film is commonly 1.85 or 2.35 to 1…but it’s also been 4:3, 3:1 and a bunch of other things.

    If you’re doing this from a video projector, you’ll have to mask it to give the illusion of such. The widescreen filter is just a mask anyways. It’ll be ‘projecting’ black, but should look decent – why not go test it?

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

  • Jeff Greenberg

    January 26, 2011 at 1:11 pm in reply to: I’m at Wit’s end

    Move all your media offline. Start FCP. Reconnect.

    If the problem exists when all of it is offline – something is wrong with FCP/Your User/your system. This will rule out your media.

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

  • Jeff Greenberg

    January 26, 2011 at 1:06 pm in reply to: Scripting / Automating bulk clip renames

    Are you meaning clips inside of FCP? or the files that FCP is managing.
    If it’s the files outside of FCP, I love name mangler.

    If it’s the files inside – I’d have to think about that. Yes, there might be an XML way.

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

  • Yes, you can do this, but it’ll take a couple of steps.
    We have to find it; copy it; then relink it.

    Finding it
    In your Browser, right click on any column other than the name column, and show SOURCE.

    Now you know the name of the drive (or even the FOLDER) that your music came from.

    With NOTHING selected in FCP, Edit>Find
    In this project, search for all media, and Any Column (or change it to source) contains the name of the drive/folder.
    FIND ALL.

    You’ll now have a ‘psuedo’ bin containing everything from that specific place.
    Optional – you could copy these into their own bin at this point – if you drag them into a bin, they’ll no longer be located in their original bin. If you want to copy them, make sure you hold down the OPT key while dragging them.

    Copy
    With these clips selected, File> Media Manager
    Choose Copy, don’t delete anything, based on existing names, don’t create a project
    I’d argue you should target the Media folder it’s about to create with the rest of the imported items from that project.

    Relink
    While you’ve identified these files (step 1), copied these files (step 2), you haven’t linked the clips to them.
    Select all the clips, Make offline (leave files on disk)
    Then select them, relink and “LOCATE” the new media folder.

    Whew.

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

  • Jeff Greenberg

    January 26, 2011 at 12:53 pm in reply to: Multi Clip Editing on the Fly

    One note – remember to collapse the multiclip when you’re finished the multicam switching; fcp will have much better performance (and you can always uncollapse later)

    Best,

    Jeff G

    Apple Master Trainer
    Avid Cert. Instructor DS/MC
    Avid & Color Videos Vasst.com
    Compressor Essentials Lynda.com

Page 132 of 146

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