Jeff Carson
Forum Replies Created
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No “easy ease” on position keyframes. Geesh!
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If you want anamorphic footage, choose squeeze and work in a 16 x 9 timeline. If you want 4 x 3 footage with a lettbox “look”, choose letterbox and work in 4 x 3.
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As far as shooting under 50khz lighting at 24 p, you very likely will get light flicker issues. I once shot with a 16mm film camera setup to 25fps (inadvertently) and the 60khz hmi lighting (US) flickered enough to be an issue.
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We like the vfcgadgets version here…
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HAve you tried the reset button? it is Inside LCD compartment, upper left. Could it be condensation?
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Are you referring to “skipped” frames? This would be a symptom of the “OIS” (Optical Image Stabilization) being turned ON. You will get the same thing with jib arm shots. The camera misunderstands the fluid dolly or jib move and will “jump” the image to try to keep it stable.
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We are buying an HDX-900 camera, so the deck was inevitable for us. The time consuming disk archival process is not as attractive for our shop. DVD’s are slow to write, difficult to manage and not 100% reliable, if a DVD drive refuses to recognize an entire data DVD, you’re hosed. Same goes for Firewire drives. With tape, you have a real-time, more durable solution that is not too costly (aside from the deck cost).
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Thanks Shane… I was afraid of that. Archiving P2 clips has been a dilemma and we decided the best thing for us was buy a 1400 HD deck and lay clips back to HD. It would seem to be a pretty useful feature. Using the method you suggested, would FCP treat these as if they came from tape in the first place when you try to recapture?
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Thanks guys. we are supplying WAV files to the client and they think they can make them work. I assume WAV files in a 24fps comp will be the same length?