Jason Rouleau
Forum Replies Created
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Actually I’ve found a work around…
if I open up a new project file and import the corrupted ones into it, they work fine.
But to answer your questions, it crashes when the project is loading, I can’t quite seem to see what element is loading when it crashes, so I can’t say.
And I have no idea how to remove codecs either, so I’m not going to attempt it.
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I’m curious as to know why you haven’t asked your client first? I mean… if they are a production house, they would know what they want right?
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You should try the creativecalf forums
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would you mind posting a link to the tutorial that shows how to make eyes glow? I have an upcoming project that will require me to do something similar. I have a good idea of what I’m going to do but someone else’s approach might give me some ideas.
cheers
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If all else fails, do what I do : Close your project and re-open it.
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have a look at this tutorial and it should give you an idea of how the tool works
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Your probably right, Cinepak is probably way out dated, I haven’t had to export to Film in awhile. Thats why I said to call the company that would be making the transfer to ask for the specific specs.
The rest of what you said seems pretty accurate. Good job
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Out of curiosity and to avoid having to look for it myself, how much does the service cost?
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Well first of all, what we need to know is what you mean by Big Screen. There are many formats that can be projected on the Big Screen.
Is it going to 35 mm? If so, I believe you’ll need to output to Cinepak or something along those lines. To make sure, call the company that will be transfering to film for you and ask them what formats would be best.
If its going to be going to video and projected on a big screen via projector, give them what they need.
Actually, now that I think of it, ask your client what his needs are. I’ve done lots of logos and my clients usually ask for different formats depending on their projects.
As for blowing up a low res image, well… if everything is created within after effects (i.e, no footage shot, just solids, filters, etc), then you could blow it up to anything if you have the correct settings, BUT, if they sent you source material that is only 352xsomething, then ya, you’ll probably need higher-res footage, otherwise it will be very soft when blown up to higher resolutions
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I’m going to take a wild swing at this, but I’m guessing that most of the faces were hand modeled in 3D or and there was a slight morph between the original face and the new 3D face using the RESHAPE tool in the distort menu.
Then of course alot of masks and displacement maps to add to the skittiness of the faces and the black distorted stuff around the eyes and outlines and the such.