Forum Replies Created

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  • Grinner Hester

    June 24, 2009 at 10:15 pm in reply to: Best Monitor for editing/effects

    I’ll give ya a broadcast trinitron NTSC monitor for 400 bucks if you cover shipping. It’s a heavy beast but cost several thousand back in the day.

  • Grinner Hester

    June 24, 2009 at 10:14 pm in reply to: Speed

    throw it into after effects and rerender at the length you need creating a comp at that running time and using time remap.

  • Grinner Hester

    June 24, 2009 at 10:12 pm in reply to: How do I do something like this?

    keyframe scale, reposition, rotation and basic 3D perspective.

  • Grinner Hester

    June 24, 2009 at 10:11 pm in reply to: Montage editing

    I start by laying my keepers on a timeline and then looking at how much I really have to work with. I then go back and lay out my bites and music to time. I now know how long my finished piece will be and I have it’s story down. Then it’s just a matter of following or creating that story with b-rool, grafix and layers of love till done.

  • Grinner Hester

    June 24, 2009 at 10:08 pm in reply to: Editing audio for on-air promos

    ditch the waveforms.
    Go dancing. Catch a beat. Boogie like an idiot in your home if you have to. This is the practice you need if not a musician.
    Then, play your timeline. Your beat is the kick drum and you need to hit it to the frame on the fly. Yes, you can scrub a couple of frames as you get better at this but you will soon be able to hit the attack of that kick on the frame. That’s it. Now you backtime the sting and do the same. Booya.
    On spots where these beats don’t line up to perfect running time, you’ll find you can easlily hide a 10 frame fade under some dialog while the music is at half volume.

  • Grinner Hester

    June 24, 2009 at 10:04 pm in reply to: Screwed by a freelancer

    While I have never been pleased with the work of any freelancer I have ever hired for anything, I have also never been screwed by one.
    I know if I want something done right I have to do it myself and I know that sometimes I just can’t do it all myself. I get it.
    I hire when I have to then I go back and clean it all up.
    Look at it as an ego booster.

  • Grinner Hester

    June 24, 2009 at 10:00 pm in reply to: Send out demo reels

    You don’t.
    No need to waist a DVD. A day of cold-calling is where you need to start. You make your way passed the receptionist to some sort of creative director, production manager or head hancho and make your schpill vrbally. If they are remotly interested, they’ll have you send it to them and the receptionist will not trash it when it shows up unsolicited. You will not only save money this way, your reel will actually be watched. You can save the random reel sending for email spamming on a rainy day. Nothin’ wrong with that at all. An email being deleted costs you nothing but some time. You’ll be volunteering time to this either way.
    Hit the sites of the places you wanna work at. Contact the powers that be directly.

  • Grinner Hester

    June 23, 2009 at 2:13 pm in reply to: Contract Wording

    They don’t own it until they pay for it with or without a contract.
    I’d focus more on getting half down.
    As far as verbage, you can download templated contracts and insert company names and dates easy enough. If you have a lawyer, he’ll do this for you for next to nuthin’ and you won’t have to worry.

  • Grinner Hester

    June 23, 2009 at 2:09 pm in reply to: Producing a daily TV show

    The bottom line is half of nuthin’ is nuthin’. If they thought they could make money from this, they’d surely have no problem making more of a profit by paying you your day rate and keeping all those awesome advertising dollars.
    Tell em you are booked trimmin’ your grandma’s toenails.

  • Grinner Hester

    June 22, 2009 at 9:15 pm in reply to: Producing a daily TV show

    Just politely explain that your internship daze are over and state your day rate. He’ll say no thank you and you’ll find this to be the most diplomatic way of telling a grinder to kick rocks.

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