Floh Peters
Forum Replies Created
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No, EDL
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This probably happened because of the autosave function. Maybe you should look if there is a backup copy of your timeline that still can be opened in Media 100 i.
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I
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You can download it here.
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[Sal] “Yes I have a P6000. “
Do you have a P6000 LOSSLESS capable? You should see that in the “About” window of the application.
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Do you have a lossless capable P6000 board? If not, you cannot use the lossless compression.
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I definitely would recommend working in 720*576. All digital formats (DV, SDI, DVD) use this resolution, so it has been the “standard” for quite some time. The only problem is that you cannot mix 720 and 768 media in the same timeline in Media 100 i (you can do that in HD and sw, btw.). So if you have projects that often need old material from earlier projects that would be the only reason for me not to use 720. But we decided to do all our projects in 702 and 48kHz some years ago, and this was a good decision since you can always use all media files in all projects.
If you want to export something from SW to Media 100 i 768 you should be able to do that using the Export->Other->QuickTime with Media 100 PAL setting. But quality will suffer doing that. -
Are you sure that you
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The Motion Path is only working on clips on the Video composition tracks (V1-V99). Move your clip up to one of those tracks and you should be good to go.
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The point is that while HDV may be a good low-cost acquisition format it is not really great for editing and distribution. Why? HDV is extremely compressed, and editing in this format is difficult. While you won