Thanks Kevin for the tips.
Yes done numerous FCPX work using Optical Flow and sadly its the Drift and the conditions it was shot.
The last GoPro HD footage I worked with used a GoPro grip and a Chesty.
Using the helmet option is not best due to the excessive shake.
The Drift is basically a helmet cam since its glued to the side of the helmet.
Other successful formats are DV Cam using Canons and Sonys, then XDCAM and of course RED MX.
However, those were not in the same or even close to conditions as the Drift.
The anomalies actually look cool but too much is too much 🙂
We have Twixtor at work but on an Avid MC.
I guess if I had the time I would test that.
I ran out of time with this one, just wanted to see why my recent FCPX Optical project didn’t come close to most examples Ive seen out there.