Forum Replies Created
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Pretty sure the Open CL support for GPU debayer was available before it was available for CUDA…
eric b johnson
online editor | colorist | workflow
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Eric Johnson
January 30, 2014 at 8:08 pm in reply to: colortrace still doesn’t copy debayer settings?What if you save the Raw settings to the version? I would think that check box would make this possible?
eric b johnson
online editor | colorist | workflow
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Eric Johnson
January 27, 2014 at 10:06 pm in reply to: “Timecode extents” error importing PPro XML to Resolve 10not being all that Premiere savvy, I couldn’t say….
But one way to check in Resolve would be to check a clip against the edit to see if the clip TC is similar to the TC that is expected.
If it turns out that the TC is the issue then if I were in FCP7, I believe there is a “similar” function in Premiere, I’d create a new timeline with only Picture and do a Media Manage, use existing, do not delete unused media, use file names, remove inactive multiclip angles, etc… so as to “clean” the sequence.
Then generate a new XML and hope for the best…
eric b johnson
online editor | colorist | workflow
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Have you tried the setting in the BMD control panel that outputs PsF as P?
eric b johnson
online editor | colorist | workflow
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Eric Johnson
January 27, 2014 at 8:06 pm in reply to: “Timecode extents” error importing PPro XML to Resolve 10Do the “merged” audio/video have the same timecode? The XML may be assuming that the correct TC is the Audio TC and discarding the Video TC. This something that happened sometimes with FCP7 and “merged” clips.
eric b johnson
online editor | colorist | workflow
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Eric Johnson
January 15, 2014 at 7:58 pm in reply to: Your Color / Edit Suite (with windows, sunshine, and life!)Nice room!
eric b johnson
online editor | colorist | workflow
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Try uninstalling and reinstalling the Decklink drivers.
If you open the Decklink Prefpane, does it say that the card is detected?
eric b johnson
online editor | colorist | workflow
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Eric Johnson
January 3, 2014 at 8:49 pm in reply to: Best codec to export from Windows Resolve for Apple FCP on-line (for tomorrow)Pretty certain it’s an option via the Quicktime render settings in Resolve…
According to Video Space, a 30 minute 1080 29.97 10b 422 (does not specify Interlace/Progressive) with 2 channel 16b audio is going to be approximately 260GB’s.
If that does’t work, I’d suggest researching whatever the available QT Codecs are on your Windows Resolve, and it would also be to your benefit to talk to Online to see if they have a preference based on what is available to your machine.
eric b johnson
online editor | colorist | workflow
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Eric Johnson
January 3, 2014 at 8:13 pm in reply to: Best codec to export from Windows Resolve for Apple FCP on-line (for tomorrow)Unless size/throughput is an issue, I would think uncompressed.
And even if size/thoughput are issues, a Pro Res can always be generated by the Online house…
eric b johnson
online editor | colorist | workflow
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Is there a chance that your Color Picker is in the +/- color mode when it’s not working? If there’s not Qualification, the +/- will have zero effect…
Happens to me all the time…
eric b johnson
online editor | colorist | workflow
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