Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums DaVinci Resolve Best codec to export from Windows Resolve for Apple FCP on-line (for tomorrow)

  • Best codec to export from Windows Resolve for Apple FCP on-line (for tomorrow)

    Posted by Ben Edwards on January 3, 2014 at 7:27 pm

    Hi, I have just finished grading a 30 min program for local telly. I am using Resolve 10 (Windows) and need to export a high quality graded file to be taken to the on-line (where audio mix and credits are to be added). It needs to be something FCP can read without installing any extra drivers. Prores 422 is no available on windows (which is what I would of used) so what should I use as a alternative?

    It needs to be interlaced.

    Sorry for cross posting but the director is picking up file tomorrow morning.

    Ben


    Ben Edwards – Freelance Picture Editor
    https://www.funkytwig.com

    i5 3550 3.3Ghz, Windows 7 / Mac Lion, Nvida 550 Ti, 16GB Mem

    Kelly Reese replied 12 years, 4 months ago 6 Members · 9 Replies
  • 9 Replies
  • Eric Johnson

    January 3, 2014 at 8:13 pm

    Unless size/throughput is an issue, I would think uncompressed.

    And even if size/thoughput are issues, a Pro Res can always be generated by the Online house…

    eric b johnson
    online editor | colorist | workflow
    https://vimeo.com/39073239

    Some contents or functionalities here are not available due to your cookie preferences!

    This happens because the functionality/content marked as “Vimeo framework” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.

  • Ben Edwards

    January 3, 2014 at 8:17 pm

    Thanks, how do I do uncompressed (and how big is it likely to be on a 1/2 hour show)?


    Ben Edwards – Freelance Picture Editor
    https://www.funkytwig.com

    i5 3550 3.3Ghz, Windows 7 / Mac Lion, Nvida 550 Ti, 16GB Mem

  • Eric Johnson

    January 3, 2014 at 8:49 pm

    Pretty certain it’s an option via the Quicktime render settings in Resolve…

    According to Video Space, a 30 minute 1080 29.97 10b 422 (does not specify Interlace/Progressive) with 2 channel 16b audio is going to be approximately 260GB’s.

    If that does’t work, I’d suggest researching whatever the available QT Codecs are on your Windows Resolve, and it would also be to your benefit to talk to Online to see if they have a preference based on what is available to your machine.

    eric b johnson
    online editor | colorist | workflow
    https://vimeo.com/39073239

    Some contents or functionalities here are not available due to your cookie preferences!

    This happens because the functionality/content marked as “Vimeo framework” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.

  • Ben Edwards

    January 3, 2014 at 8:52 pm

    Thanks, I have Quicktime YUV and RGB 10b, are these both uncompressed, which should I use? Also will mac FCP read them OK?

    Also the field processing check-box is rayed out, can uncompressed be interlaced, will it create 50fps?


    Ben Edwards – Freelance Picture Editor
    https://www.funkytwig.com

    i5 3550 3.3Ghz, Windows 7 / Mac Lion, Nvida 550 Ti, 16GB Mem

  • Sascha Haber

    January 4, 2014 at 9:18 am

    DNXHD 185 will probably do just fine for Broadcast..

    A slice of color…

    Resolve 10.0.0.073 , Smoke 2013 EXT
    Colorist / VFX / Aerial footage nerd
    https://vimeo.com/saschahaber

  • Ben Edwards

    January 4, 2014 at 9:34 am

    It needs to be a codec that comes with mac/fcp 7 as standard. I am going for Quicktime YHV 422 but the field processing check-box is off, in needs ti be interlaced.


    Ben Edwards – Freelance Picture Editor
    https://www.funkytwig.com

    i5 3550 3.3Ghz, Windows 7 / Mac Lion, Nvida 550 Ti, 16GB Mem

  • Andi Winter

    January 4, 2014 at 12:55 pm

    if uncompressed can’t e interlaced, which i don’t know, then dnxhd185x would really be your
    best option in my opinion as well. why it is a must that the online-house cant install any free decoding
    codec? and there is a free package for decoding dnxhd on mac. just google it and send them the link
    together with a one-second testclip (ie a greyscale ramp to check levels).

    this way you are on the safe side.

  • Marc Wielage

    January 5, 2014 at 8:07 am

    [Ben Edwards] “Thanks, how do I do uncompressed (and how big is it likely to be on a 1/2 hour show)?”
    Here’s a good iPhone app to compute expected storage requirements from various codecs and resolutions:

    Video Space Calculator
    https://itunes.apple.com/us/app/video-space-calculator/id492916201?mt=8

    Note that Apple Compressor has some options for taking an uncompressed progressive file and then converting it to various interlaced formats, but getting those settings right takes some trial and error.

  • Kelly Reese

    January 6, 2014 at 11:04 pm

    DNxHD works if they have the codec installed, but it greatly increases the chances of a gamma shift during the online and reduces the real-time perfomance in fcp7.

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy