Eric Johnson
Forum Replies Created
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I think the Eclipse is a great piece of hardware. I love mine.
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after committing the multi cam edits, you could media manage “using existing” and make sure the “multi-cam” check box at the bottom is unchecked(?), pretty sure… that should strip out the multicam-ness…
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It was surprisingly nice, especially since the 5D and the RED stuff tended to react similarly, actual format restrictions aside… There were a couple instances where I thought it would be nice to have this control or the other, but on the whole I didn’t miss the RAW settings…
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I recently had a similar experience on a RED/5D project, when using Soft Clipping.
RED/5D IDT
709 ODT -
Under “General Options”, do you have “Save Timeline Thumbnails” unchecked?
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Full version.
A reel per project, though slower has served me well in the past coming from Apple Color where the rule of thumb was 20 min’s or 300 cuts… when I moved to v8, it was suggested I follow the same protocol, which worked fine.
Since v9 was introduced, and while v8 was current, I read many discussions on this forum discussing the pro’s/con’s of both workflows… And there are mixed thoughts and different places that the time is spent…
So, I finally did a show all in one project. An hour long doc for broadcast, not nearly as cutty as some stuff I’ve worked on, but was near 600 edits…. The project was easier in the sense of tracking corrections but took nearly twice as long to save…
All I can say is that that is my experience.
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I recently did a full show in a single project, @ 500 shots, and it took WAY longer to save then one act per project. There’s a bit more front end, getting your gallery set up and what not, but while working it’s much better… I’m not planning on doing a full show in one project again…
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Is this for a tapeless only workflow?
Depending on what it is you are doing, it seems to me that you want to limit the rounds of compression (whether they are deteriorating your material or not)… So After Effects would not be the right place to go after Resolve (at least not for the entire project)… because if you needed to go to tape you would need to export everything then bring into your mastering tool… which, depending on the software could require a further compression after you render your project out of AE…
It seems to me, that you are hoping for a “one size fits all” solution, and at least in the “affordable” (for people, not facilities or seasoned established freelancers) there is no such solution, and even then there isn’t. If there were you wouldn’t have the options of FilmMaster, Baselight, Pablo, SGO, etc… There would just be “The Tool”…
It’s also worth noting that as a whole, Adobe Production Premium likely has all the pieces you are looking for…
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not sure, but it sounds like you need the XDCam EX codec from Sony…
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According to the developers websites, the Element is approximately 31″ x 8″ and the Eclipse is 26″ x 12″…
Bigger yes, but not THAT much bigger… So the 1700 should be fine, interior dimensions are 35″ x 13″.