Drazen Stader
Forum Replies Created
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Neil hi,
same case over here…very buggy…in our studio snow leopard got nicknamed windows….
as far as I can see one major problem with snow leopard is its name…who wants an operating system that is frozen by default…no wonder my new mac keeps freezing all the time…I guess its time to go back to leopard…drazen
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Hi man,
good hints…I will be checking at those settings that you have mentioned tomorrow morning when I get back to my studio and will let you know…thanks a bunch for your creative advise…no wonder this forum is called creative cow…
best regards
Drazen
drazen
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Hi
I have done some additional tests and realized a couple of things. The problem with flickering and moire in high definition areas occur when importing my ae rendered quicktime movies into my final cut pro studio equiped with a kona 3 card. I have tested a couple of different exporting options.
1, using animation codec, loseless, best settings. I get a beautiful looking quicktime mov file that plays fluidly in fcp and doesnt suffer from moire in high def areas. However no matter what i do in fcp I can get to play this animation rendered file in fcp…only when I go in sequence settings and change the compressor settings to uncompressed I get a clip that I can print to digi beta however as soon as I do that I get moire in high definition areas of the stills. The fine thing when exporting using animation, loseless settings is the fact that there is no visible gamma shift when importing to fcp or playing the quicktime movie.
2. 2nd test. I have exported my ae comp also as uncompressed 10bit seq, layed in fcp timeline, I have set the fcp sequence to 10bit yuv to get the most out of it, however I still get slight moire in line condensed areas.
3. 3rd test. Export as apple pro res hq however, bud obviously didnt get the results needed. Gamma has shifted drastically comparing to what I had on ae comp, and moire was quite visible in line high density areas.
So anyone any ideas.
Best regards
Drazen
drazen
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Dino zdravo
nope no pixel motion applied, no time remapping applied. The funny thing is when I do my ram preview in ae everything looks perfect, but as soon as I render (no matter what kind of quality, but usually i go for the best) and import the clip in final cut, I get noire, flickering type of effects but only in high def areas.
Best regards
Drazen
drazen
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Hi,
Is this an usual update that can be found on adobe site or is this patch something extra that has to be searched and installed elsewhere.
br
DRazen
drazen
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Hi,
thanks for the tip. I will definitely try installing all new updates and I give it a try…I will let you know the results in the next couple of days…and yes the video you are suggesting it is the one I watched prior to trying out thise scheme…It is a really handy solution for all those who cant afford themselves automatick duck software.
br
Drazen
drazen
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Hi,
no red edge whatsoever in my case…regarding the monitors I suggest you to follow David advice coz i did the same…insist until you get a matching pair…it is well worth it…
drazen
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HI everyone
every story should have a closing chapter and here one for this story. After insisting that I need to have two indentical dell 2408 monitors, I had my yellowish monitor be changed for 3 times around. Only on the third try my mission was accomplished…I now have two identical 2408 monitor that completely match each other the way they should of have been matched since the day I bought them. David thanks very much for the constructive input it really helped me when trying to get a new proper one instead of the yellowish tinted one…
best regards
Drazen
drazen
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With a slight delay I would like to thank everyone for the input….all problems were solved with great tutorials from this amazing site….thanks again
drazen
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Andreas hi,
I have themore expensive 2408WFP and it still aint working as it supposed to.
drazen