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Forum Replies Created
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Hi,
Even with the best green screen recording, those glasses are always a problem. If the man doesn’t turn his head to the sides too much, you can duplicate a copy of the clip and place it above, and draw a mask to get rid of this problem. Additionally, another option, maybe using a magnetic mask, could be helpful too. You can find some good tutorials about magnetic masks, and you will see how easy it is to use.
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Not the same one, but in some projects, I have the export doesn’t start problem. I start the export, but nothing happens until I wait for a very long time. Nothing indicates that it will start. And if I get bored and restart the Premiere and try to export again, this time it exports in no time.
And similar to the other issue, again, not always, when I open two projects at the same time, I may lose the first project in the bin, never find the bin, I only see the second project bins.
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Oh, yes, this is definitely in the recording. They should have turned off this information on the camera. I’m sorry, but I don’t think there is a way to fix this in post.
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Exactly, XtoCC is a good tool to convert from FCPX to Premiere.
Another way is exporting an XML and using Davinci Resolve to import and exporting AAF from Resolve, but this is not as easy as XtoCC :), but it works.
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Yes, by using the Consolidate command, it will remove the duplicates in the bin and keep the items safe in the timeline, as there is one copy still remaining in the bin.
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Just to be sure, are you deleting duplicates manually or by using the Consolidate duplicates command? When you are manually deleting, yes, that should be the behaviour, but with the consolidate command, it shouldn’t behave that way. But who knows, this is Premiere at the end.
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Hi, well, that is strange, I just did a test to verify this right now, to be sure, and what happened here is it only deletes the duplicate file in the bin, and those in sequences stay where they are. I mean that is the purpose of this command.
Not sure why it didn’t work on your project 🙁
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Hi,
There are some options to detect and get rid of duplicate clips in Premiere Pro. With the latest updates, you can use Edit Menu>Consolidate Duplicates to get rid of duplicate clips at the bin level.
And for timelines, click the wrench icon at the top left of the timeline and choose Show Duplicate Frame Markers. This one requires manual labor but is very helpful.
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Well, for different frame sizes, could it be possible that you could use proxy files as master files? That happened to me on a project. They gave me the proxy files, but when I opened the project, Premiere Pro saw those files as master instead of proxy. And I was having trouble when I opened the project at the office with raw files.
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Hi,
If the footage has been converted to 1080 proxy, or something close to it, it should show as 1080 or whatever they did.
You say it shows the RAW resolutions, with that information, I suspect the proxies are not linked, or the use of the proxy option is not activated. You can tell them to create the proxies with the watermark option so you can easily identify if you are working with proxies or the raw footage. I hope this helps. And for seq settings, I believe you should work on a seq that is the same as your export settings. If you are going to deliver it in 1080, you should work in 1080, and if it is going to be delivered in UHD/4K, it should be in that sequence setting. As long as you have proxies close to 1080, you can work flawlessly.
Recently, I worked on a 7K project, and the proxies were created as 7K that was hard to work with, even in proxy mode, and I deleted all proxies and created them all again in a quarter size of 7 K.