Dennis Radeke
Forum Replies Created
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The biggest potential pitfall is users not installing enough RAM. With a 64-bit system, the answer to traditional long-form woes is to add more memory. We started to see this in CS4 which was ’64-bit addressable’ – 32bit app that could address more than 4GB of RAM with doc users.
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There is no scripting capabilities inside of Premiere Pro CS6 at present, so I know of no way to do automate this.
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Hi Ben,
Glad you like the subscription model and that it works for you.
Sounds like you know color and have calibrated monitors to account for any shift. I have heard of color shift problems many times when working with QTs in Avid’s to/from After Effects, but not directly inside of Premiere Pro.
I’ll try to forward a link on to an engineer or QE person to see if they have any insight. In the meantime, can you tell me if this color shift is happening with any other export format? Could you try another format or two like OP1a or P2?
I also wonder have you tried converting the Canon files to ProRes ahead of time (via AME) and do you still have the issue? Try this if you haven’t: https://www.adobe.com/support/downloads/detail.jsp?ftpID=5411
Dennis – Adobe guy
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Premiere Pro 2.0 goes back pretty far….but….
there are free conversion utilities out there, but the only HD codec it natively supports is HDV. If you find a conversion utility, then try to convert it to that.
DVDhelp.org or similar may be a place to start looking.
Dennis – Adobe guy
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I was going to ask about DPI depth. For example, if I’m doing video with stills, I typically will down-res a 300dpi photo to 72dpi.
All in all, its a puzzler because your system sounds more than up to the task and you’ve done a bunch of the basics. Kevin’s suggestions of trashing prefs and clean cache is one of my regular suggestions as well.
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Well you have a decent chunk of RAM so that’s good. How many assets total in the project? How much memory is Premiere Pro taking up in your Mac? Is it growing slowly over time even if you do nothing? What is the bit depth of your photos?
Pulling the Kona card temporarily is a good idea to limit the variables.
Dennis
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Can you give a bit more detail on your system specs, what kind of media, how long the project is, how many assets in the project. How much RAM?
Thanks.
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yellow on the timeline is good – it means GPU is working.
Premiere Pro doesn’t support Avid DNX media via MXF only QT which is 32-bit and therefore a large performance limitation.
I’ve only given Windows 8 a spot check thus far so can’t really comment, but I didn’t run into any issues with it when I tested Premiere Pro.dennis
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Well, it sounds like you’ve tried everything I would normally suggest. The only other thing you could try would be to build another Lion drive boot from it and see if CUDA and Premiere Pro fire up like they should – if it’s that, then it’s something with your existing Lion install. If not, i would agree that you potentially have a bad Quadro card (but that’s very, very rare).
Dennis
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I think you just need to get a handle on editing multicamera in Premiere Pro. You might try this quick video which has the bit you’re lacking at around 3:30
https://tv.adobe.com/watch/learn-premiere-pro-cs6/setting-up-multi-camera-sequences/
Cliff notes version.
Take the multicamera source sequence and put it into a new sequence.
Open Window>Multicamera Monitor
Edit your multi-camera sequence…