David Ghast
Forum Replies Created
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Its a one way process unfortunately, its best not to use that technique until you have to, or import a dummy file and replace that with the comp, then switch out your placeholder video file with the comp as needed.
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No, that would create more. Instead of just playing a few tracks on your main timeline it now has to play many at the same time. However if you export your nested tracks (presuming your done with them) as a video file and replace your nested tracks with the video then it would produce less stress.
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premiere doesnt “frame through” things properly, especially if you have interlaced footage or frame blending enabled. To know for sure you have to import your footage into vdub and frame through it and if its interlaced you’ll have to write a script (or use the deinterlace plugin) that drops the proper field to show you what exactly goes on.
Basically its this sort of thing you want a good tripod for and to know better what your camera is doing inside your footage. All this video engineering stuff is really a pain to deal with, BUT if you can figure out what each frame looks like independent of the other then you can figure out how to remove the ghosting, though this will cause a jump in your footage that you will have to go back through and frame interpolate inbetween the jump which will produce messy results in your case.
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this aint adobe but alot of file processing stuff like this is better done outside of adobe, so in this instance you could use audacity, lay it down in the tract and export each channel independently (just mute one at a time and export). i use audacity and vdub for most of my post processing techniques.
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whoops turns out it was just disabled in bios, go figure.
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That would be a 2 to 2.5d plugin now wouldnt it. Nevermind, ive tried almost every piece of software that claims to do this and they either only adjust the film plane (2.5d if you will) or they dont do anything at all. The hardware ones might work but then again im skeptical of the whole process. Oh well, i guess the elitists will dangle their vaporware over our heads while the rest of us find out better ways of getting stereo.
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Well if you want some wisdom then pose your question backwards in the form of an answer, yknow like yoda:
You do not choose a path, a path chooses you.
But yeah, go for it, apply for jobs and such and eventually you’ll figure out what you like and dont like. Consider starting out as a roto-bot, its stupid easy to do so you dont have to know every program upfront to get a job in a vfx house, just how to rotoscope in every program.
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“To tell someone new that AE isn’t a real compositor tells me you are either not smart enough to figure out how to use it as such…”
Thats good to know because i didnt say AE wasnt a real compositor, i said AE wasnt a real VFX program.
You have a pretty impressive reel there, i cant believe you did that all singlehandedly. I mean, why else would you show clips without any description of your part in it?
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Not sure what you did there but its producing the inverse of what it is. Also when the comp’s width increases the whole thing goes to hell. Thanks anyways.
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Check your ram render settings (the panel that shows right on the default template) and see what framerate its set to. Also you might be limited if you use spacebar instead of the 0 key on the numpad to render.