David Bogie
Forum Replies Created
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Since you have some Macromedia and Adobe tools, just export your SWF as a QT from Premiere. Suggest you use Animation codec unless you have a reason to use a different codec.
bogiesan
This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”
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Did you look up Batch Export?
bogiesan
This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”
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> The strange part is that if I copy the sequence from one project to a new (otherwise empty) project, the media managed version’s size will accurately reflect its being cut down. This workaround often works, but not always. Anyone run into any similar situations?< Yes, we have all run into similar situations. Some of us much worse. There is no known solution except trying exactly what you're doing. Figuring out a workaround. Trying it. Coping. Maybe complaining. There are many glitches in FCP that can be attributed or dismissed as "operator error". Media Manager isn't one of them, it's broken, it' bad design, it's bad programming, it is a feature that only works some of the time for some people. bogiesan This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”
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we are all sorry for your loss. It’s rare that a Mac dies in flames like that but it does indeed happen.
When you have some spare time, take a few hours to search the Web for G5 case hacks. People have done some incredible stuff with these elegant boxes from stereo racks to making beer coolers to making a huge iPod dock.
bogiesan
This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”
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Media Manager is a waste of time, dangerously inept programming.
Your experience is shared by most of us but that won’t stop anyone who has successfully used MM to tell you it’s all your fault, or mine. Keep clicking on the option buttons and see what happens. Use a practice project.My advice is always: Use Media Manager but not to depend on the results. Test the results, never assume it is accurate.
bogiesan
This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”
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> The telecine facility strongly recommended that I export each subclip as a final cut pro movie and reimport them before creating my multigroup clip; by creating new master clips, I was presumably ensuring that there would be few problems, and my edl’s would be accurate (I’ve done tests).< It's going out to an EDL that will eventually be your downfall. FCP is not known for its ability to manage media in the database let alone create an accurate export of numbers. I wish I could help you more but your project is beyond my scope of experience. You're coming into the advanced tool, multiclip, with less than ideal clips. The advice to export them separately as self-contained movies is terrific but I cannot predict how it will backfill to your EDL once the multiclip has been cut. All I can tell you is that subclips work. Tom and others will offer the best advice at this point. All I can do is wish you best. bogiesan This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”
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Can’t think of any that pre-canned unless you have access to some clipart. There’s a billion free pieces of clipart on the Web.
You end up making them, mostly. Tons of plugs and mattes for Photoshop. Not difficult to create from scratch with a scanner and a few minutes with Photoshop or even just a garbage matte in FCP, save as a still image with alpha.
bogiesan
This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”
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David Bogie
February 15, 2006 at 9:57 pm in reply to: I want a clean and fresh re-install of FCP StudioThey will tend to overwrite.
But you probably have a damaged DVDSP disk.bogiesan
This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”
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The idea is sound enough but the results may not be worth the overhead in time, storage, and conversion hassles. Think of it as shooting super8 and releasing on 35mm. There’s a tradeoff.
And there’s no clearly defined workflow; everyone trying up-conversions chooses a different pathway. I’ve never searched for the information but there are hundreds (maybe thousands) of Web sites and blogs for indie producers who have taken different routes to their release medium.If you decide to pursue it, please come back and tell us how made out or leave us a link to your blog. Good luck with your doco. Stay organized and monitor your audio carefully!
bogiesan
This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”
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> I think I have responded to this issue a few times now over the past week….< Thanks for your patience on this topic, davemcc. And my thanks again for providing accurate information instead of the rumors we were using before. Yes, you're going to be seeing this topic come up at least once a week till the new Macs ship and then we'll see it daily. We're going to get sick of it. Maybe you could synopsize your information into a single paragraph and be prepared to cut and paste it. Or ask that some others help out. bogiesan This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”