Dave Garcia
Forum Replies Created
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Dave Garcia
January 30, 2011 at 12:57 am in reply to: Re Submitting to a Watch Folder with AE Network renderingAnyone?
David Garcia
creative director
halflife* digital
Albuquerque, NM
halflifedigital.com -
Dave Garcia
December 17, 2008 at 7:26 pm in reply to: marrying audio and video with matching timecodeThanks much.
I also found this under audio in the user manual (duh). I guess it always helps to read the directions. 🙂
Thanks again.
David Garcia
creative director
halflife* digital
Albuquerque, NM
halflifedigital.com -
Thanks guys. The Raylight seems to do the trick. I’m not thrilled about shelling out the dough though.
I probably did have the compressor settings wrong as I’m not quite sure what the process is in compressor. I don’t want to re-compress just remove pulldown. I have to admit I’ve always found compressor and quicktime in general a bit of a bag of black magic.
How do I set the video to “passthrough” and just re-interpret pulldown pattern?
I tried setting to DVCPROHD 1080i60 as an aoutput format then uncompressed but like I said I don’t want to recompress anything…
David Garcia
creative director
halflife* digital
Albuquerque, NM
halflifedigital.com -
Dave Garcia
December 11, 2008 at 8:39 pm in reply to: HPX 2000 DVCPROHD shot 1080i -> 23.98 timeline?It’s DVCPROHD. I’ll try compressor. That sounds promising.
David Garcia
creative director
halflife* digital
Albuquerque, NM
halflifedigital.com -
I tried using the Numbers effect but it seems to tap out at 30,000 and I was wondering if there was a way to add a comma.
David Garcia
creative director
halflife* digital
Albuquerque, NM
halflifedigital.com -
Thanks again gentleman,
This has been very helpful.
David
David Garcia
creative director
halflife* digital
Albuquerque, NM
http://www.halflifedigital.com -
Thanks for the quick response Walter, and on labor day. You must be a workaholic as well.
This is fairly enlightening. One thing I still don’t quite understand is what would be the main reason for going Sata over Fibre or visa versa I’m assuming price.
Another question is this: Did you need to get the two units from Maxxdigital to achieve the speed. From what I’m understanding the speed on SATA theoretically could go up to 2GB/s if you keep adding arrays.
I really enjoyed the blog on having your studio redone by Bob Zelin by the way. It was very enlightening for a studio owner who is on what I would geuss would be a very similar hardware trajectory. Thanks for taking the time to share.
And thanks again for the input.
Dave Garcia
creative director
halflife* digital
Albuquerque, NM
http://www.halflifedigital.com -
…or capture onto the 2 gigs of harddrive space left on your system disk…
(joke)
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Color seems to be working pretty well with my Kona LH. Obviously, it’s not an IO, but I just thought I’d let y’all know.
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Dave Garcia
May 20, 2007 at 3:07 pm in reply to: slow renders in fcp timeline, fast exports in motion ??I just noticed a huge render time discrepency rendering an animation as animation losless codec vs. a DV codec out of motion. I’ll bet that’s where your issue is.
Are you rendering the same uncompressed 8bit out of motion as on the timeline? (I’ve noticed banding in uncompressed 8bit gfx renders as opposed to animation codec imported into an 8 bit timeline.)
I’m just passing through here, but that’s my 2 cents.