Daniel Waldron
Forum Replies Created
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FYI, here’s a screenshot of how to create the null object.
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You can create a group null object and parent your screen to that. Or, if your 3D model allows, you can set a custom texture as the screen.
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I just noticed you want to extend the fire shot, not the building shot. I should point out that for this particular shot, time-remapping will not look good at all. You either need to find a longer fire clip or create your own fire using a particle system.
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You can do it with either the Knoll Light Factory or Optical Flares plugin. Both have ways of tracking the luminance in your shot.
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Right click on the layer and enable time-remapping. This will allow you to “make it longer” by either duplicating frames or using a freeze frame after it ends.
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You actually have to go to your overall Premiere Pro preferences, not the sequence settings.
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In other words, apply the effect to the clip you want to color grade, or onto an adjustment layer above your clips.
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You can set your preferences to Scale to Frame Size. If you have a 1920×1080 timeline, this will automatically scale your 4K footage down to fit when you add it to the timeline.
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Glad it worked for you!
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Maybe the Pixel Polly effect will work for you?
