Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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right click replace with any video or image; doesn’t really matter. the actual control is in the matte opacity anyway.
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1. on top of what Mark said with the vectorscope line, you may need to use secondaries.
2. or try hue v sat, then hue v lum. on top.(it’s a delicate balance)
you’ll need to have both HSL and YUV scopes open since you’re looking at chroma directly.
3. another option you can try is chroma compression using luma mattes. here’s an example:
drive.google.com/file/d/1CLAFvb-PUWM3fC0ZIdVZGWJxpB9idGDC/view?usp=sharing
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1. record both both mics with pink noise at the angle they were originally recorded, then use an audio program to visually compare the frequency response.
you may have to match the reverb or remove reverb.
the cheaper mic will probably have some self-noise, so you can remove it or layer room tone.
2. izotope rx match
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There is really not anything much better. topaz enhance was as good as, or better than algolith was. They both used motion estimation.
some other possibilities
a. teranax hardware
b. alchemist OD software
c. QTGMC plugin for avisynth(free, but complicated workflow)
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1. if you record both mics at same angle(originally shot at) with a pink noise, then do a frequency analysis in audition/rx, you can match them with parametric equalization across all frequencies.
2. izotope match plugin
3. by ear, EQ
note: you may have to add/remove re-verb from one or the other mic to more closely match them and also add room tone to blend them.
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Google drive is not like a traditional storage device. besides the bad latency you would get when random scrubbing, (unless render cached), you would run into a maximum bandwidth limit. not in the traditional sense of bandwidth, but if you read more than x tb per month, they can freeze your account. but for something small, it might be a fun experiment. i wouldn’t use it professionally as an online IO storage.
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plumepack doesn’t appear to natively support .wmv.
Premiere does have a built in feature called SMART Rendering for lossless rendering. It also renders 4x faster this way because there’s no re-compression.
Unfortunately, it doesn’t appear either solution supports .wmv
You’ll have to choose between lossless and lossy encoding.
Some codecs at higher settings can give near perfect quality and visually lossless, like prores, dnx, cineform at high or ultra high settings without going full uncompressed into extremely large file sizes.
There may be a trim program that can natively cut wmv. perhaps ffmpeg can?
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maybe the cineon effect under gamma? there’s settings for linear to linear or log.
It’s pretty powerful so may do what you want after a little fiddling. you’d have to put it before lumetri i think.
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AE CS6 autowhitebalance 1.0a.zip (division by zero bugfix, and luma matte, pre-converted down to cs6 for compability)
https://drive.google.com/file/d/1oJolQuEzQUrM14oOoHEHyiEaFoa04Sus/view?usp=sharing