Chris Harlan
Forum Replies Created
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Excellent! Or, maybe, Final Cut Pro B.
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I’ve got the same situation. I live in Premiere-land, but keep upgrading my home MC license just in case. Each year I debate. I actually quite enjoy Premiere, and while I suppose I will be back on Avid at some point, I’m not as certain of it as I used to be.
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What’s a computer?
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LOL
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[Mark Raudonis] “Or if you want something new, how about “The NLE Fight club”.”
Drop the “The” and you’ve got my vote! NLE Fight Club in flashing neon type!
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D-Vision, Montage 3, Speed Razor, FCP 3-7, FCP X (returned), Avid MC 3.5–current + Symphony (2 seats), Premiere 6–current.
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[Bill Davis] “I’d love to be educated about how the Premiere or AVID editing operations are improving and evolving.
“Yeah. I have to agree with the others here that experience suggests otherwise.
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Never mind. I see I was mistaken. My apologies.
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I’m in LA. I work mostly in Entertainment promotion. In “design houses”, I’m seeing a lot of Premiere for social/promo work. In that environment there’s a lot of crossover with AE, and CD’s are comfortable in the CS space. Clients are generally more modern media like Netflix and Amazon, or studio social departments. These days, in that environment, I’m a little surprised if its not Premiere. “Promo houses” that have been established for awhile tend to remain Avid or even FCP 7, though Premiere is discussed and possibly making some ground. Cable Channel and Broadcast-wise, I’m still seeing a lot of Avid , but there have been some serious conversions to Premiere, and at least one major promo dept. has largely converted to FCP X. Networks and studios are largely Avid for on-air, and Premiere, more and more, for Social. I’m not sure how across the board that is, but its what I’m seeing.
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[Bill Davis] “Over and over I see these same types of lists.
95% are “I had this feature in something else – now please give it to me again, just inside X.”
It’s tiresome. “
Dang, Bill! Cranky and dismissive as ever! Who says there’s nothing constant in the Universe!