Chris Conlee
Forum Replies Created
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Colleen, how far into your project are you? Is it possible to cut in a 23.976 project, given that the bulk of the material was shot at that framerate? If you cut at 23.976 the stuff that I presume was shot at that rate, then have the 60fps footage transfered frame for frame without conversion, you’ll get your slomo. By cutting in a 59.94 project, your 23.976 material is being converted to play at 59.94 and your 60fps footage is already playing at speed.
Once you’ve completed your edit, then output to tape at 59.94 for mastering.
Chris
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The shows I’m working on are all so security conscious that I don’t see them wanting to store any dailies online in the foreseeable future. We do use DAX once in a while, but even that is used sparingly.
Chris
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Pretty much sums it up…
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From an FCP user coming to Avid you’re points are mostly valid, Shane. However, one quick correction: you can move keyframes side to side by holding the option key down…
Chris
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Honestly, I’m not sure of the market. The pros are going to be slow to adopt, and the people who just need a bit more than iMovie aren’t necessarily going to be keen on dropping $300. Apple may have misfired here. I wouldn’t be surprised to see the price fall to $99 so they can really grab the moneymaking market of consumers.
Chris
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And quite impressive at that. Way ahead of its time. I ran MovieShop on a Draco (Amiga clone) for years.
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Yeah, I get that a lot…
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PhraseFind is absolutely the best. It really does change the way you cut.
Chris
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Okay, that was the funniest F’ing thing I’ve ever seen. I’m still wiping the energy drink off my monitors.
Chris
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I’d be happy to give you a rundown for a few hours. Gimme a call 818-694-2112 (my office is at Ventura and Tujunga in Studio City). Or email me at conleec (at) yahoo (dot) com
I’m working at Sony during the week, so the earliest I could do it is next weekend, if that’s not too late.
Chris