Forum Replies Created

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  • Chris Borjis

    January 21, 2014 at 6:26 pm in reply to: Exporting for Telestream Episode

    [Jeff Breuer] “Do you edit in ProRes as well?”

    no, just camera native files.

  • Chris Borjis

    January 21, 2014 at 12:05 am in reply to: Exporting for Telestream Episode

    I export from Premiere as Pro Res, just as I did before with FCP.

  • Chris Borjis

    January 20, 2014 at 6:08 pm in reply to: Exporting for Charter – suggestions

    well technically 30P would go to 29.97 uff but sometimes
    29.97 is referred to as 59.94 fields.

    so ya 🙂

  • Chris Borjis

    January 16, 2014 at 11:36 pm in reply to: Exporting for Charter – suggestions

    I do a lot of this stuff and have submitted to Charter before.

    for 1080 they all want interlaced upper field first, unless it’s 720P…then it has to be progressive and 59.94 fps.

    Just change the progressive to upper field first then look at it when it’s done.

    Did you make sure the titles were all in a 4×3 title safe zone, so when it
    airs on an SD channel it doesn’t cut the text off?

    Some of my clients have sent them HD safe then have to redo them
    so the station won’t reject them or do the nasty “postage stamp”
    airing with black bars surrounding the tv spot.

  • Chris Borjis

    January 15, 2014 at 7:00 pm in reply to: PP CC Audio Thief

    damn, that’s a scary one.

    File a bug report with adobe asap.

  • Increasing the target bitrate is overkill.

    That vimeo HD preset works great, make sure it is 2-pass vbr
    and check the “maximum quality” button.

    You might consider using the 720P preset as this will be
    a much smaller file size with the difference in real world
    visual quality being negligible if barely noticed than 1080.
    Also 720P plays smoother on a lot more systems that may
    be older.

    if you feel 5mbps is not enough, take it to 10mbps, but
    anything more is over kill and I’ve done tons of these
    over the years. You can also reduce the file by changing audio from
    48khz to 32khz with no noticeable quality loss.

    2) exfat would work on a pc and mac, but most blu-ray players
    including the ps3 only read fat32 volumes. Authored DVD or Blu-Ray
    discs are probably more practical here.

    3) I don’t believe its possible to embed chapters in .mp4 files.

  • [Jeff Pulera] “Export using Media Encoder and use an “MPEG-2 DVD” preset. Import the results into Encore.”

    If he’s making a blu-ray shouldn’t it be “mpeg-2 Blu-Ray” preset?

    also Jack, as an option TMPGenc authoring works supports creating
    a blu-ray from .mts files without re-encoding them. They have a 30 day fully functional demo last I checked.

    it could be as easy as importing the files and hitting the go button without
    any re-encoding.

    I’ve used it a few times and it worked well.

  • Chris Borjis

    January 14, 2014 at 5:09 pm in reply to: Exporting at highest quality for feature film

    If you want a lossless master file to do other things with later,
    then yes ProRes is a good choice.

  • Chris Borjis

    January 14, 2014 at 12:07 am in reply to: Authoring a Audio only BD with no video

    that’s right, encore cs 6 added the ability to have DTSHD-MA as source audio.

    Robert, try using black only video, you could probably set
    the bitrate on the video extremely low since there is nothing
    that will look bad if it’s just black.

  • Chris Borjis

    January 10, 2014 at 5:16 pm in reply to: Sequence Setitngs

    I’m fairly certain the DV vs HDV setting has no consequence.
    It has to do with the capture module premiere would use if you
    needed to capture one or the other.

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