Chris Borjis
Forum Replies Created
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I’m cutting an HD TV series with DVCPRO-HD and we just transferred everything over to a 6TB Caldigit HDPRO.
so far everything is working great.
Its configured in Raid 5 mode (though it offers Raid 6) and my speed disk test indicates a sustained data rata rate of 403MB/s -
yeah black burst is connected and works.
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from my perspective its hit or miss, but they usually snap to when it comes to hardware repair/replacement.
sometimes I’ll have a conversation about a problem go on for weeks on end. I ask a question, get a response the same day or several days later, then more days go by before I get another response.
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I was pleasantly surprised that my G5 quad and fibre channel array could play them in realtime.
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Have you tried Apple sRGB as the color space?
(I used that just last week and had no problem)
And you are avoiding “quicktime conversion” right?
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that should be the dyamic preview at work.
mark in and out a small segment that has the problem.
export it to a quicktime file.
Play the quicktime, the shift should not be there.
Rendering ALL on the timeline does not always cure it but an export usually does.
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[Andy Mees] “if you are working with interlaced footage and sequences then you really ought to be monitoring on an interlaced display NOT on your computer monitor..”
I have no sympathy for “editors” that don’t monitor on an external monitor then run into problems as a result.
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thanks for the effort, I’m going to put that in my list of work arounds.
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is there a way to turn that off?
I do not want FCP doing that for me.
That would explain some field order issues I’ve had that I didn’t have with 5x
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the drop, non-drop i refer to has nothing to do with the frame rate, its the setting for the project itself.
both fcp and protools have these settings, if they don’t match your audio is out of whack for sure. also look at the pulldown setting.
Audio itself doesn’t really conform to a frame rate based on video. Audio “frames” are much different in that regard.