[Chip Hess]

Make that UDF.

[Chip Hess]

BTW yes they are UHD discs, turns out.
Hopefully it is just a media issue.
I’ll be at work tomorrow to confirm.

[Chip Hess]

Hi Mark,

Do you know where I might find that setting to confirm?
We are using Squeeze 8, with a QT REf file out of Avid.

I poked around the settings and did not see that.

Thanks.

[Chip Hess]

Turns out to be a menu item, Add Media/Image.
Then I applied comp mode to that, affecting only the graphic.

Never used Red for compositing before!

[Chip Hess]

I think that’s the case, Michael. MediaInfo is showing same fps., so we are not seeing source rate.

Thanks!

[Chip Hess]

This is tremendously helpful, I knew there was a way!

Thanks very much for the info, all.

[Chip Hess]

Is that what would work? I have never had to cross this bridge, so I am all ears.

[Chip Hess]

Pat,

Found this old post which answers a question I just asked.
Does this work with imported media, as well? I have found
AMA to not work in one project, synching tracks with video
would drift over time in long takes.

In that instance, could I re-import the original cam files
and link the mxf created into the sequence?

[Chip Hess]

Thanks Glenn!

I Googled him and indeed found some good resources.

[Chip Hess]

All is good.
I had not changed Media Creation settings when I should have.
Everything was there, just spread across two drives.

Can anyone recommend an online resource explaining the uses/mechanics
of relinking? I know there is a solid method for doing an uprez in online work,
when cutting offline at a lower rez. Then connecting the edit decisions
to original camera media.

This is something I may need to tackle in the near future,
and God knows the Avid manuals are not written for humans.

Thanks very much.