Chi-ho Lee
Forum Replies Created
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Cover flow. Interesting idea. Though I bet most editors (especially the Avid converts) would say – too flashy – takes to long to “flip” thru your clips.
Maybe good for iMovie?
-CHL
Chi-Ho Lee
Film & Video Editor
Apple Certified Final Cut Pro Trainer
http://www.chiholee.com -
just add reel numbers to each clip. Since you don’t care/unable to recapture you can assign any number you want. Unless these numbers can help you trace the clips, then make some sort of numbering system, 001, 002, per capture or per day or etc.
That should take care of it.
CHL
Chi-Ho Lee
Film & Video Editor
Apple Certified Final Cut Pro Trainer
http://www.chiholee.com -
I would prefer logging as well over capturing whole tapes. But I cut a lot of broadcast docs and it is definitely more efficient to capture the tapes. So I suggest using markers to label scene breaks or important moments.
The best part of markers are that:
1) You are navigate thru them easily
2) Make them into subclips easily
3) Open a clip in the Browser to give you a list view of the markers
4) Can still scan over a reel as Mark mentioned.I prefer it over subclips.
-CHL
Chi-Ho Lee
Film & Video Editor
Apple Certified Final Cut Pro Trainer
http://www.chiholee.com -
Implemented exactly the way I thought it would. Thanks for the pics online, Walter.
Chi-Ho Lee
Film & Video Editor
Apple Certified Final Cut Pro Trainer
http://www.chiholee.com -
Great to hear/see! Took a while but glad it’s here. Thanks Quicktime team!
Chi-Ho Lee
Film & Video Editor
Apple Certified Final Cut Pro Trainer
http://www.chiholee.com -
Delete the thumbnail cache file. That may take care of it.
CHL
Chi-Ho Lee
Film & Video Editor
Apple Certified Final Cut Pro Trainer
http://www.chiholee.com -
I agree. Someone needs to invite a remote control NAB webcam monkey.
CHL
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There is your issue. You should reverse tele to 23.98 via Cinema Tools. 23.98 will output to 29.97 via FW onto your NTSC monitor. 24fps sequences/media will not output to 29.97 via firewire. One of the hardware cards may do this but I’m not 100% sure. The old Aurora film card used to do this but they’re long gone.
Chi-Ho
Chi-Ho Lee
Film & Video Editor
Apple Certified Final Cut Pro Trainer
http://www.chiholee.com -
It does indeed work. I offlined an entire feature with this. Are you sure your sequence/media is 23.98 and not 24?
And are your external video settings correct? All frames, Apple firewire NTSC?
-CHL
Chi-Ho Lee
Film & Video Editor
Apple Certified Final Cut Pro Trainer
http://www.chiholee.com -
Apple posted the Color tech specs:
https://www.apple.com/finalcutstudio/color/specs.htmlColor-Specific Requirements
The standard graphics card in any Mac Pro, 17-inch MacBook Pro, 24-inch iMac with Intel Core Duo, or 2.5GHz or faster Power Mac G5 Quad:
ATI Mobility Radeon X1600
ATI Radeon X1600
NVIDIA GeForce 7800 GT, 7600 GT, 7300 GT, 6800 Ultra DDL, 6800 GT DDL, 6600, or Quadro FX 4500
A display with 1680-by-1050 resolution or higher
A three-button mouse for full functionalityColor-Specific Recommendations
The following graphics card is highly recommended:
ATI Radeon X1900 XT
Dual displays with 1920-by-1200 or higher resolutionChi-Ho Lee
Film & Video Editor
Apple Certified Final Cut Pro Trainer
http://www.chiholee.com