[Charlie Edison]

Correct link

https://www.resolvebureau.com/

[Charlie Edison]

I have a nice domain name parked if anyone wants to help start a wiki ?

https://www.resolvebureo.com/

[Charlie Edison]

Hold on —- I take that back !

I just found the ripple function in a group…

Thanks, I learnt something today !

[Charlie Edison]

There are two separate functions, group grading and ripple value

A ripple value and its setting in the config page does not do the same as group grading,

A group is tying a bunch of shots together, grade one shot and that exact change applies to all the shots in the group.

A ripple value is where you can make a change to a shot then using the ripple value command,
apply (as per the config settings) that grade change to the entire timeline or a selection of clips via the use or clip numbers selected.

The ripple value command or action or button is only found on the BMD control surface.

[Charlie Edison]

Group grading is not the same as a ripple value.

A group is a correction applied to the other shots in the group

A ripple value is seperate function (no group selected)

make a change and then use the ripple value function to ripple that change through other shots,

This is only available on the BMD control surface,

[Charlie Edison]

Not sure why you have left and right eye in the same session on two tracks, that won’t work.

you should have all your media for left in one folder under root in the media pool and right in another,

then import EDL and point to left eye media, then import the EDL and point to the right eye media,

you should have two sessions, left and right.
right click each sessions time line and choose left or right eye.

If this doesn’t work, then there must be differences between left and right source media and their time codes and reel numbers..

[Charlie Edison]

What’s new in DaVinci Resolve 8.2beta 3
• Canon C300 support
• General performance and stability improvements

[Charlie Edison]

Not directly,
You’ll have to export what you want from the Powergrade or Still tab and then re-import into your new database..

Export as DPX into a folder, you’ll notice another file that turns up there with an extension something .drx, This is the grading data for the still or powergrade.

If that .drx travels with the still image, the grade will come along with the imported still..

You can do that between systems, for example send a grade and the still to another facility..

Of course, with in the same database you can copy back and forth between users in the gallery page.

[Charlie Edison]

Fastest solution is using Apple’s compressor or Adobe’s Encoder,
Both have got presets for DV25 and DV50,
Render ProRez from resolve and drop in to either of the above..
Not too sure about your pixel aspect of .9 Do you mean square ?
Adobe has a pixel aspect choice of 1.0940 or 1.4587 for widescreen 16:9

[Charlie Edison]

You can’t see frame counts on the conform page, nor can you navigate by +/- a number.

Have the clips got timecode ? doesn’t really matter, but would be nice.

Try this. New session!
Turn on reel number support and identify clip filename as reel numbers /%R*.*
See the reel numbers in the browse page before moving on.
Do a quick low rez render in dpx 1K, (dpx fastest render speed) burn in the frame count,

Then, take these files in and slice them up as per the clients frame count reference, then export and EDL from that session, back in your final grade session, import the EDL and point to the full rez clips…