Forum Replies Created
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Take a look at this tutorial by Shane Ross.. this might be able to help
https://library.creativecow.net/ross_shane/visible-timecode/1
Chad Tingle
Producer/Editor -
That sounds like it’s just a wacky bug.. Have you tried trashing the preferences?
Chad Tingle
Producer/Editor -
Can you post a sample of the video so we can see what problems you’re experiencing
Chad Tingle
Producer/Editor -
Chad Tingle
October 19, 2010 at 5:23 pm in reply to: Capturing with Kona LHi From Panasonic HDC-HS700[Thomas Kirsch] “When I connect a Sony HDR-FX1, I do get a 1080/60i video signal and capture works great. I am wondering whether there is anything specific I need to do in order to capture video with a Kona LHi card and a Panasonic HDC-Hs700?”
Are you recording to tape or to some type of solid state memory card?.. I believe the HDC-HS700 camera records to AVHD MPEG 4 and you may need to use log and transfer to unwrap the mpeg file and convert it to quicktime instead of capturing through the LHI. Your Sony HDR-FX1 is HDV and records to tape which may explain why you’re able to capture component into your LHI.
Chad Tingle
Producer/Editor -
Chad Tingle
October 12, 2010 at 11:15 pm in reply to: HDX900 timecode via Kona LHi to FCP looking for workflowsI agree.. I can get my hands on a 1400.Thanks for the quick response.
Chad Tingle
Producer/Editor -
Chad Tingle
October 12, 2010 at 10:50 pm in reply to: HDX900 timecode via Kona LHi to FCP looking for workflows[Jeremy Garchow] “What I am recommending (and what I think Kris is trying to do) is using baseband video (HDSDI) and a capture device, like a Kona card (or ioHD or ioExpress, ie any HD capable AJA device).”
If I go SDI out of the HDX900 into my LHI.. what am I using to for machine control and timecode..
Thanks in advance,
Chad Tingle
Producer/Editor -
Chad Tingle
October 12, 2010 at 9:30 pm in reply to: HDX900 timecode via Kona LHi to FCP looking for workflowsJeremy,
I recently tried this within FCP on and 8 core mac pro that doesn’t have a 6 pin firewire 400, so I subsituted a 800 to 400 firewire cable and had no luck. Do you know if AJA VTR exchange will solve my problem as well.
Chad Tingle
Producer/Editor -
[Josue M Sisco] “I record the audio and video separately.”
Why? are you recording a reference track on your camera that you can use as a guide when you slip out of sync?
[Josue M Sisco] “My problem is that when my audio editing guy finishes editing the audio and hands me the file (.wav) and I import it to my FCP timeline, even if I correctly align (sync audio and video) it at the beginning of the clip at the end of the video (normally about 26-27 mins) the audio is completely off.”
How are you giving your audio guy the files he uses to mix the show
Chad Tingle
Producer/Editor -
Chad Tingle
October 10, 2010 at 11:22 pm in reply to: video.. turns blue and pink in comp and project windowThanks Todd.. I was starting to lose mind there for a second… It started when I tried to preview via my AJA LHI out to my HD monitor..
Chad Tingle
Producer/Editor -
Chad Tingle
October 7, 2010 at 6:18 pm in reply to: Compressor 3.5.3 stating wrong native field dominance for DVCPro HD 1080i60 clipsappreciate the heads up sir
Chad Tingle
Producer/Editor