Forum Replies Created

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  • Ben Edwards

    March 2, 2011 at 8:32 pm in reply to: Sound Presure Level (SPL)

    Mark,

    OK, Thanks for that.

    The Sennheiser HD 215 I have is a full cup headphone and is 32 Ω.

    The Sennheiser HD 280 Pro is also full cup but 64Ω.

    Are you saying the HD 280 has something about its specific full cup design that makes it cut out background noise massively more then the HD 215?

    Regards,
    Ben

  • Ben Edwards

    March 2, 2011 at 3:32 pm in reply to: Sound Presure Level (SPL)

    Ty,

    Yes, that’s what I have heard also and they seem to be popular amongst broadcast camerapersons. I have also heard that the cheaper HDR v6 is as good, the dBw is also shown as 106.

    I actually have a pair of Sensitizer HD 215 which are shown as 112 dB/w. They are around half the price so maybe they are not as good from a sound reproduction point of you but currently loudness is my issue so I don’t want to go backwards in this regards.

    Regards,
    Ben

  • Ben Edwards

    February 28, 2011 at 11:59 am in reply to: Are Sony MDR-V6 Headphones good With Z1 Camcorder

    Ty,

    Thanks, so it is Sensitivity I need to look for.

    So the Sony MDR V6 seems to be 106 Db/w and the sennheiser HD 215 I have are 112 dB/W so the Sony would not be as loud for the same input signal. I will carry googeling but any advice would be appreciated.

    Thanks,
    Ben

  • Ben Edwards

    February 28, 2011 at 9:38 am in reply to: Sound Presure Level (SPL)

    Thanks Eric,

    That kind of helps, I think;) The reason I am asking is because the Sony Z1 video camera puts out feeble level through the headphone output and I am trying to work out if there is a easy way to find how ‘efficient’ headphones are. By efficient I mean how much volume they create for a given signal.

    Or maybe there is a inline headphone amp I could use but I would rather not have an extra bit of kit.

    Ben

  • Ben Edwards

    February 27, 2011 at 4:29 pm in reply to: using 2 sennheiser ew100 G2

    Hi,

    Just thought I should mention these will be illegal to use after 2012 (I think its after the Olympics) as the frequencies are changing. Also even before this you should have a license to be fully legal.

    Ben

  • Ben Edwards

    February 25, 2011 at 5:28 pm in reply to: Importing Canon MTS files

    Andrew, MPEG streamclip does not recognize the files.

    Stephen, L&T complains they are an unknown format.

  • Ben Edwards

    February 24, 2011 at 7:08 pm in reply to: Rode Lavalier without phantom power

    It is a Canon 550D I am connecting ti to. I also have a Canon HF100. As far as I am aware prosuma, domestic camcorders and DSLR tend to have stereo 3.5mm jacks without phantom power.

    Ben

  • Ben Edwards

    February 23, 2011 at 8:36 pm in reply to: Lighting for DSLR green screen shoot

    There is a great tutorial here – https://www.youtube.com/watch?v=VWKKgmik2vs&p=3AF9B2B010B69D0C

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  • Ben Edwards

    February 21, 2011 at 4:52 pm in reply to: Using Mouse Weel to Zoom In/Out

    Thanks both of you for your responses.

    I did wait until the end of my first project before I thought about moving from default set-up and its the only thing I want to change. I don’t use a apple mouse and don’t have the problem of trackball getting closed put the wheel does not seem to be mapped to zoom. Any idea how to do this?

    Ben

  • It is SD 16:9 I am working with, what I want to do is for the output signal to put black ‘letterbox’ borders. I will have another look at settings. If I change the settings for Blackmagic in Settings do I need to restart FCP?

    This works perfectly OOTB with Sony Vegas so I was hoping it would be possible to get it working in FCP.

    Ben

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