Barry Green
Forum Replies Created
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You have about 20% more detail in the 1080 picture, but 100% more pixels to record it in. So a lot more bandwidth allocated per pixel.
It’s true that in both 1080 and 720, a 6.7:1 compression ratio is used. But the thing is, in 1080 mode, there’s twice as much bandwidth per frame, but not twice as much detail. So the 1080 mode places a lot less stress on the codec than the 720 mode does. This results in milder compression artifacts etc; it effectively gives you around 80% more bandwidth.
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Yes.
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Send a private message to Jarred Land; he’s the guy who sells & ships the batteries.
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Get the most from your DVX camera. The DVX Book and DVX DVD are now available on ebay and at Amazon (https://www.fiftv.com/db) -
I would shoot 1080/24p for any keying situation. You get a tad more detail, but you get effectively quite lower compression, which gives you a cleaner image to start from.
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Not that I know of, but P2 Genie can auto-increment reels as it offloads.
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Try these insructions:
https://eww.pavc.panasonic.co.jp/pro-av/support/cs/csregistp2m/ep2main/faq/P2store_macmount_e.pdfPanasonic Japan has put up a FAQ that answers some questions like these, you can find the FAQ at:
https://eww.pavc.panasonic.co.jp/pro-av/support/cs/csregistp2m/p2indexe.html—————–
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Doesn’t work, there is no component output when playing a firewire-input signal.
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The problem is the PAL vs. NTSC units; the FireStore is sold specifically in a PAL-compatible version and an NTSC-compatible version, you have to use the right one with your camera.
As for the firewire stream: on the US/NTSC version the firewire stream is always 60p (for 720) or 60i (for 1080/480). On the PAL version the firewire stream is always 50p (for 720) or 50i (for 1080/576). Any other frame rate gets embedded within the 50p or 50i data stream, so 720/25p is transported through firewire as 720/50p with each frame being rendered twice.
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No such thing. Tapes aren’t PAL or NTSC, they’re just data tapes. If you recorded it on a US/NTSC DVX, then the footage on the tape was recorded in the NTSC format, and won’t play in a PAL-format camera.
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All DV-based formats (DV, DVCPRO, DVCAM, and DVCPRO50) are 720×480.
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