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  • If everything is recorded on one track, it makes it more difficult because you have the music (which will be in sync) and the singing (which will not be perfectly in sync) all together. You can use the center channel extractor to varying degrees of success to isolate the vocals so that you can then perform manual adjustments. Small clips, like you suggested, would be the way to go. It probably won’t be perfect, but in the end people expect karaoke to not be perfect.

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

  • If you need to fit each photo into the same dimension frame and you want to avoid scaling up the smallest photos to cover the black, you can set your dimensions to be that of the smaller photos. On the larger ones, scale down until the height is the same as what you are looking for and this will just omit the periphery of the right and left edges. You can move the photo right or left in the frame in case there is action you need to see in either the right or left of the picture.

    Or, you can go in Photoshop (since cropping there is easier) and crop all your photos to be the same size. This way you can adjust them in the frame to center the action of the photo and chop off the excess and you’ll be dealing with the same size.

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

  • The Multitrack editing area is a non-destructive workspace. When you enter waveform view, it becomes a destructive workspace and allows effects that require processing.

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

  • If you will be adjusting all the keyframes an equal amount (for example, you have them fade in over 30 frames but now you want them all to fade in over 15 frames), you can select all layers and reveal the opacity property for all layers and then drag and hold over them or shift-click each end opacity keyframe to select (highlight) them all. Then you can just click on one of the highlighted keyframes and move it and the rest will follow. Is this what you are asking?

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

  • Normally, upload the same frame rate as your content is, with the caveat that de-interlacing is recommended. NTSC or PAL upload makes no difference on YouTube. YouTube will reencode your file anyway for proper deliver to users based on a variety of factors, such as network speed, etc. You can watch YouTube on a smart TV just fine (most of them have an app for YouTube, so you can test it too).

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

  • Andy Ford

    June 30, 2020 at 6:24 pm in reply to: Default metadata for new projects ?

    After I set my metadata, I resave my workspace. This will open the project with my custom metadata fields in the future, so that’s good. But when I open a new project, it’s the default ones and I have to right-click to metadata display options and select my saved preset. That’s been a complaint for years on Premiere.

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

  • Andy Ford

    June 30, 2020 at 2:19 pm in reply to: Default metadata for new projects ?

    I should add, creation date is actually under the “Basic” twirl-down menu, whereas most of the other properties are under the Premiere Pro menu. Create your settings or schema as desired.

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

  • Andy Ford

    June 30, 2020 at 2:17 pm in reply to: Default metadata for new projects ?

    Right-click on any of those column headings (name, frame rate, etc.) and select Metadata Display…
    Then, check the boxes for the fields you want to see (under the Premiere Pro Project Metadata twirl-down menu) or add properties.

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

  • Andy Ford

    June 30, 2020 at 1:39 am in reply to: Do you need to set the Fields in Sequence Settings?

    Yes, you can have a 1080i sequence and export a 720p .mp4 in Media Encoder. When Media Encoder opens from scratch, the video settings usually default to match the source. This includes width/height of your sequence and the field order (Progressive or Upper Field). You can change this as needed.

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

  • Andy Ford

    June 29, 2020 at 11:35 pm in reply to: Possible to move keyframes from clip to track?

    Use the Effect Controls panel to copy the effect(s) on your clip and then paste in another clip in your timeline. If you right-click on the effect name in the Effects Controls, you’ll see you have the copy option. If you right-click on a particular attribute of the effect, you won’t have the copy option.

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    Video Producer / Digital Marketer / Gear Reviewer / Author
    http://www.AndyFordVideo.com

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