[Anders Hattne]

that’s the thing. I don’t see the wireframe… Odd.
I can guess where they are though. Still would like to know how to get them back.

http://www.ardillamedia.com

[Anders Hattne]

this is not a solution but hey, I’d love to know how to do this too..
I’ve spent > half an hour trying to figure that out but to no avail.
This is my attempt (well modified to work in a text layer that way I can see what numbers I get, once that works, I figured I’d paste it into a solid..)
It’s late and it’s been a long week…

var start=0;
wigg=0;
pos=transform.position;
duration=thisComp.frameDuration*effect("Slider Control")("Slider");
if (time%6==0) {start=duration;

if (start>0)
{

wigg=ease(time,time,time+start,100,0);
start=start-thisComp.frameDuration;

}}

start+"+"+wigg+"+"+duration

The problem is it won’t go into the second if part. I’m really currious to know how you solve that.. Start goes straight to zero, no slow decline as I had hoped, and start–; doesn’t work either..
If someone could enlighten me.. I’d be.. happier!
Thanks!
(I’ve figured out that a problem is that start is given the value 0 at the beginning, but if I don’t define it I get an error message too..)

http://www.ardillamedia.com

[Anders Hattne]

Yeah, works perfectly, thanks a lot!!

I’ll have to figure out that substr operator. I once had a similar problem which I solved with a 18 line expression. Later I found your solution to the same problem in four lines..
Thanks again!

http://www.ardillamedia.com

[Anders Hattne]

I’ve got the same problem, on a mac. Can’t get them back but manage to make them disappear by changing their size from 100px to 50px. Don’t know how the first ones disappeared though…
It’s not the handles in the view options since I can still see some of them.

http://www.ardillamedia.com

[Anders Hattne]

a bit late a reply but I just tried deleting the source footage and got the color bars.
With Color Finesse, Red and Magenta are way off it’s target. The only one that is ok is yellow… If I take the saturation in HSL / controls /master to 75% then it’s ok.

I have no clue what this means. Dedicating time to learn about colour correction and it’s very confusing.

http://www.ardillamedia.com

[Anders Hattne]

…..I guess it’s typical beginner’s pitfall to complicate things!!
A simple and elegant solution. I hope I’ve learnt something from this. Thanks a lot!!

(Yet, I’ll try to offset something with the formula effector, just for the heck of it..)

http://www.ardillamedia.com

[Anders Hattne]

Found a ridiculous amount of tips on the render queue in this blog..
https://themographblog.com/

http://www.ardillamedia.com

[Anders Hattne]

yupp, CTRL-clicking an preset in the output module will make that the default output module.Not quite what you asked, but a short cut that saved me a lot of repetitive clicking the last week!!
I love these little gems!!

http://www.ardillamedia.com

[Anders Hattne]

I would most probably do that in a 3d application.. like Cinema 4d, but my level is not quite up there yet. My only idea there would be the warping the street to a cylinder.

I guess you could do it in After Effects Precomping the individual 3d buldings and parent them to a solid with CC Cylinder.. although, I’ve never used CC Cylinder…

http://www.ardillamedia.com

[Anders Hattne]

How about a few adjustment layers with their corresponding luma mattes?
Stacking them in the right order, so that one mosaic effect adjustment layer with 25*25 rows has one luma matte, and above that a 50*50 with a separate luma matte.

I suppose one would have to do some maths so there won’t be any weird overlaps..

http://www.ardillamedia.com