Alex Udell
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Premiere Pro Coin
Forum Replies Created
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Hi Steve….
If you are using the production studio….
I suggest the following:
1) Select yhour clips in the Premiere Timeline
2) Cut your clips off the Original Timeline
3) Make a new timeline (like a fx nest for example)
4) Paste your clips to the new timeline
5) Copy Clips off the new timline
5) Open After Effects
4) Create a new Comp that is the resolution of your Premiere Pro timeline
5) Open the Comp
6) Paste
7) now your clips should have come across trimmed and timed out the same as they were in the Premiere timeline
8) Create your effect in AE
9) Save your AE Project
10) Go back to Premiere
11) Import the AE project as a Dynamic Link and choose your appropriate Comp.
12) Use this like any other clip and edit it to the top track of your timeline with just the clips for the effect. (the fx nest seq created in step 3)
13) Render this timeline
14) Use this timeline as the new clip on your main timline.
15) If you have to edit the effect double click the clip on the main timeline. This opens the effect sequence.
16) right click on the AE comp clip on the Premiere Pro TL and choose edit original. This will take you back to AE right to your project.
17) make changes to your comp and save.
18) Changes are automatically updated in Premiere and will need to be rerendered there.Does this help?
Alex U
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I think there should be an option in the Search Dialog…
this is a long shot, but if you don’t see it….
do you have Dual monitors?
Try switching monitor to single then try again and see if a few more options are exposed in the dialog box…
I’ve see this weirness with importing image sequences…so maybe it’s related here too..
Alex
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Hey Skeets…
I don’t think you can do the cuts thing, but you can add makrers via the * key (on the keypad) while playingback…
thenyou can do next marker command to navigate and use slash key…
that should make pretty quick work of it…..
Alex
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Hi SJ…
I wrote about this previously on this forum:
https://forums.creativecow.net/cgi-bin/new_read_post.cgi?forumid=3&postid=866018
hope it helps…
Alex
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Well…
I’ve been eyeballing the new REV stuff from Iomega
70 GB on a removable disk?
Pretty cool….
Alex
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I agree that adobe needs to imporvie the workflow a bit.
But if you have the AE Comp in the project window of Premiere Pro..
you can also use that as the basis of quickly launching back into Premiere Pro to generate a new version. so it’s still easier than to launch manually and search for the associated project to gerenate the new version.
Alex
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Not to mention garbage masking is way better in AE…
of course it’s better still in combustion…but that’s a different discussion all together..
“that’s a different discussion”
(airplane movie reference)
ok it’s friday….. time to stop typing now…
Alex
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How about use the dynamic link half way….
Create the dynamic link using the workflow of going from Premiere to After Effects…
but then do you render in AE to generate a new resulting clip for use in Pre Pro…
Any time you want to make a revision or spawn a new/alternate version, you can at least still quickly access the project file right from premiere…
does that make sense?
I can see doing it this way for things like generating a series of lower thrids based on a template you create …something like that….
Alex
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There will be no easy way to do this.
Multicam workflows really only work well when material is shot continuous.
You could try to create sync between the 2 camera streams by splitting the clips and editing them on to a timeline manually…
in the end….it will take you so much time just to do that, that you will prbably be just as successful cutting things manually….
sorry for the bad news…but that’s my assessment…
Alex
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actually smoke* has it too…perhaps i’ll run right out and buy a smoke*
🙂
Alex