Alex Udell
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Premiere Pro Coin
Forum Replies Created
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Todd’s video seemed to indicate that it came from audio track 1 of the source sequence. So stack your cameras so that the audio you want comes is edited from track 1 in the source sequence.
Alex
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Is there any reason why you can’t place the time stamped quicktime on the same timeline on a track above for quicker visual ref? not having to switch between sequences will save you a bit of time.
Also….
you can set up a keyboard shortcut for clip enable/disable…(normally this is a right click on the clip option)
I normally am pretty verbose in my answers….but I’m at work right now on deadlines myself…. sorry…
Alex
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what kind audio tracks does the source file have?
Alex
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So the resolution of your stills does not match the resolution of your editing sequence.
the source viewer will always show images at actual size.
the program monitor will always lock to what the sequence is set to.
so prior to importing your still photos into your project, if you set the preference Ann notes in the previous thread….
then your stills will scale to the size of your sequence placed on the timeline. (note that your effects controls will still say 100%)
this may or may not be what you want….
and big question is…what are you trying to deliver? because that dictates how you should set your sequence up initially…
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What version of PPro?
Alex
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How many tracks of audio does the clip have?
Which ones are you monitoring?
Alex
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Maybe this will be helpful too:
https://help.adobe.com/en_US/premierepro/cs/using/WSE32B8568-2904-4e95-861A-F09F75AA6C7Ba.html
Alex
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Hi Ryan….
take a look at this: https://tv.adobe.com/watch/adobe-evangelists-paul-trani/viewing-and-editing-metadata/
Also read thru this thread: https://forums.creativecow.net/readpost/3/919056
it might be helpful as well.
Can DaVinci read Adobe’s XMP metatdata?
If so, that’s great.
If not….I’m not sure what you’d add in PPro that would be passed to DaVinci?
I’d suggest starting to try to build a pipeline with just one clip.
If you can get that workflow going…then extrapolating shouldn’t be too hard.
Alex
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Hi….
Within the After Effects Project that you create your lower third….
Duplicate the comp within that project for each lower third that you need and rename it as appropriate.
Then you bring those comps into PPro.
Alex
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quick google yelded this:
https://www.dvxuser.com/V6/showthread.php?269583-5DtoRGB-now-does-ProRes-encoding-on-Windows!
Alex