Replies – Forums – Aemilia Scott

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Aemilia Scott
March 29, 2016 at 5:43 am in reply to: Davinci Resolve not delivering position + scaling from my sequence!

Hi there,

I’m exporting it as a single file. hoping for an RGB TIFF sequence, but I tried an H264 piece just to see if the problem still happened. it did.

cheers,
ae
Aemilia Scott
November 25, 2015 at 6:36 pm in reply to: Relinking Media, now picture is out of sync with Grey danger stripes

The files have the same framerate. However, as I said they have different lengths because these are shortened files with handles from colorist. in both files I can see the timecode present, so my sense is that they should have synced properly based on that.

The film opens with two instances of the same clip at different moments of the action, so I’ve been playing with that. premiere seems to believe that the reconnected clip doesn’t have footage in the same spot — that is, the danger bars end and the footage “begins” in the same place for both. in the first instance, the footage is entirely bars, and the second instance the footage is 1/4 bars and then picture. so it would seem it’s using *some* logic to sync, just not the correct logic.

I’ve included the properties below of the two files. first, is the proxy, and second is the colored MXF.

File Path: /Volumes/[…]/CAM A/A002_C006_07103A.mov
Type: QuickTime Movie
File Size: 761.80 MB
Image Size: 1920 x 1080
Frame Rate: 23.976
Source Audio Format: 48000 Hz – 24 bit – Stereo
Project Audio Format: 48000 Hz – 32 bit floating point – Stereo
Total Duration: 00:00:35:10
Pixel Aspect Ratio: 1.0

QuickTime Details:
Movie contains 1 video track(s), 1 audio track(s), 0 closed caption track(s), and 1 timecode track(s).

Video:
There are 850 frames with a duration of 1001/24000ths.

Video track 1:
Duration is 0:00:35:10
Average frame rate is 23.98 fps

Video track 1 contains 1 type(s) of video data:

Video data block #1:
Frame Size = 1920 x 1080
Compressor = Apple ProRes 422 (HQ)
Quality = Most (5.00)

Audio:
Audio track 1 contains 1 type(s) of audio data:

Audio data block #1:
Format = 24 bit – Stereo
Rate = 48000 Hz
Compressor = 24-bit Integer

Timecode:
Timecode track 1 contains 1 type(s) of data:

Timecode data block #1:
Start Time = 00:00:00:00
Reel name = A002_C006_07103A

—————————

File Path: /consideratione////Volumes/Lacie Underalls/FOR A GOOD TIME – Offline/FAGT_from_CO3_20141016/DNX-HD-350/A002_C006_07103A.mxf
Type: MXF
File Size: 445.17 MB
Image Size: 1920 x 1080
Frame Rate: 23.976
Source Audio Format: 48000 Hz – 16 bit – Stereo
Project Audio Format: 48000 Hz – 32 bit floating point – Stereo
Total Duration: 00:00:10:11
Pixel Aspect Ratio: 1.0 (1.0)

MXF File details:
Wrapper type: MXF OP1a (type: SingleItem SinglePackage MultiTrack Stream Internal)
File generated by: Adobe Systems Incorporated, Adobe Media Encoder (9.0.0)
Compression ID: DNxHD 1080p 440 10-bit
Effective Video Bitrate: 352 Mbps
Aemilia Scott
August 28, 2014 at 5:05 pm in reply to: Bug with timecode of FCP7 subclips – and solution

God bless you, sir, and the work that you do. I had this problem for hours last night, and was about to quit filmmaking and move to the forrest when I found your post. Thank you!
Aemilia Scott
March 23, 2012 at 4:02 pm in reply to: Nested Sequences — Can’t hear audio

I already tried that. No luck, unfortunately. Rendering audio revealed the occasional wave form, but no sound.

cheers,
aemilia
Aemilia Scott
September 9, 2011 at 9:00 pm in reply to: waves z-noise — where is it in Soundtrack?

Thanks for narrowing this down, Eric. I really appreciate it.

So if I *don’t* see that waves folder in the categories tab of my effects pane, what might the problem be then? I don’t see anything there other than the usual categories of effects. I’m running soundtrack 3.0.1.

in /Library/Audio/Plug-Ins/Components I have a file WaveShell-AU 8.0.component.

The filter does show up in FCP, however without the GUI. I didn’t get any iLok or registration errors on either program launch.

Cheers,
aemilia
Aemilia Scott
September 9, 2011 at 2:20 pm in reply to: waves z-noise — where is it in Soundtrack?

Thanks so much for the response, Ty.

I do have a waves folder in /Applications, but there doesn’t seem to be a recognizable application in it.

Here is the list of files I have. What do you think? I’m not sure I mentioned it, but I’m running mac os snow leopard on a early 2008 mac pro.

-Utilities
Clear_Auth_Cache.sh
Icon

InterLok Extensions Install
Waves Uninstaller
Waves 8.0 ReadMe.html
-Waves Plug-Ins

-Documents
Icon

Waves System Guide.pdf
Z-noise.pdf
Icon

Plug-In Settings – new location
WavesLib 8.0.framework
Z-Noise.bundle
Waveshells
Icon

Waves AU Reg Utility 8.0
WaveShell-AU 8.0.component
WaveShell-DAE 8.0.dpm
WaveShell-VST 8.0.vst
WaveShell-VST 8.0.vst3
Aemilia Scott
September 5, 2009 at 9:53 pm in reply to: Final Cut playback and render problems

Hi Tim,

Yes, I’m up to date. 6.0.6 is what I’m running.

It’s a sequence of about 10 minutes in length drawing from about 15 different MOV files. The playback hung at the very beginning, before any clips, with simply two title card layers generated from final cut’s text effect. what happens specifically is that the audio plays uninterrupted, but the video hangs on a single frame and does not advance.

Thanks,
Aemilia
Aemilia Scott
July 19, 2009 at 12:18 am in reply to: Example of EX1 HD-SDI output versus SxS cards

Thanks for the input.

It looks like that Ki-Pro is going to run me around 4000 bucks, maybe not including storage, right? That looks like a great product, but might be too rich for my blood at this point. Apple’s ProRes 422 sounds like a great codec, but it’s a codec nonetheless. Might there be an advantage to that uncompressed 10 bit footage in the long run?

I’d still love to see something like a side-by-side comparison of SxS acquired footage and HD-SDI acquired footage.

Cheers,
Aemilia

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https://www.aemiliascott.com