Forum Replies Created

Page 72 of 139
  • Aaron Neitz

    October 1, 2007 at 5:51 pm in reply to: OT: super long DVI run

    For the premium price you’re paying for fiber cables…. they should NEVER go bad! I’d be pretty torqued.

    Will look into the 5500’s, thanks!

  • Aaron Neitz

    September 27, 2007 at 8:11 pm in reply to: 3:2 on DVD… rippping…etc…

    mmmm….bacon! I just went ahead and made a 30fps DVD.

    We’re all pretty ticked off. Spent months conforming a beautiful 1080 23.98fps D5 which we delivered as a master…. made 35mm prints from it… etc…. and somewhere in their pipeline they made a 30fps NTSC downconversion to press to DVD. Never trust anyone else with your hard work 🙂

  • Aaron Neitz

    September 27, 2007 at 5:32 pm in reply to: 3:2 on DVD… rippping…etc…

    ….err, I’d need windows for that 🙂

  • Aaron Neitz

    September 26, 2007 at 9:04 pm in reply to: 23.98 to my lowly TV no problem?

    It does a pure 3:2 pulldown. no problems whatsoever. looks NICE… will even do it with 23.98fps HD down converted to NTSC

  • Aaron Neitz

    September 25, 2007 at 5:41 pm in reply to: P2 confusion

    ah ha. thanks!

  • Aaron Neitz

    September 25, 2007 at 5:07 pm in reply to: P2 confusion

    Thanks, makes sense. Do you have a guess to why the clips labeled “720p24” with a video rate of “59.97” come out either 23.98 or 59.94 fps? Seems like a flagging problem…. but the 59.97 quicktimes look like video, and the 23.98 look filmic.

  • Aaron Neitz

    September 21, 2007 at 8:16 pm in reply to: Cannot use MPEG, H.264 for pro/commercial use?

    That’s curious. Apple probably did pay the fees to allow the encoders to be used commercially – I’m sure they leased the technology to encode these formats from someone else.

    and…. what in the world are you doing reading SLA’s on a Friday afternoon!

  • Aaron Neitz

    September 19, 2007 at 9:38 pm in reply to: Going from DVCProHD to ProRes 422

    Transcoding it won’t gain you much. It’s already been crunched to DVC-HD land and whatever cons are associated with that codec are a permanent part of the quicktime files. HCoding to Pro-Res will give you some small advantages when adding filters, etc…. as the compression is better. But frankly it would be a total waste of time. You’re much better off recapturing to Pro Res.

    Having said that, DVC-HD is a very quick and stable codec for editing. Unless your director really wants to do “finishing” work while you’re still in edit. Depends on the scope of the project.

  • Aaron Neitz

    September 19, 2007 at 6:00 pm in reply to: FCP system speaker recommendations

    The Lhe puts out 2 channel XLR analog audio, which is great. You can get a small 6 channel Mackie mixer for $200, and then a pair of powered/shielded speakers (just got a pair of KRK Rockit 5″ for an edit bay, sound pretty good for the price and size) for about $300

  • Aaron Neitz

    September 18, 2007 at 7:37 pm in reply to: FCP equivalent to Animatte

    I think you can download a demo to try it out.

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