Yossi Siegel
Forum Replies Created
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Yes, that actually does help a lot! Except that it’s much more work to save each sequence as a separate file. But in any case it does save me the time of manually adjusting the keyframes throughout the entire project when I want to move everything over.
Does this mean, then, that there is no real solution to making the keyframes stick to the footage?
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That is indeed very true…But say you were to take the same high quality footage and render it…How high up on the quality list would mpeg-2 rank as opposed to others? That’s what I really meant by it. This is something I heard from an independent filmmaker/editor, so I cannot attest as to the reliability, in any case (sorry for not mentioning ^^).
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Kinda late, but what he means is that mpeg-2 is the actual format that you use for DVDs: the only one with which you can make a DVD movie. It’s known to be of poor quality, but if you use the proper settings (try doing a search) you may come up with decent quality video…
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Well let me try and make it as simple as possible (I’ve spent the past three hours learning about expressions and have a bit of a better understanding of it, here’s my modified version):
One layer at a time moves on a single vector across the screen, scaling down as it does, from random locations.
I’ve been trying desparately to figure this out but the guide I found (https://www.motionscript.com/mastering-expressions/random-1.html) makes this complicated by constantly building on techniques that I don’t need…
Any help would be appreciated! -
I have the same problem with Hebrew, but found out that you can use the Protype Filter; not only will the language work right, but you can use it as a preset to just position the text so all you have to do is type =)
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I opened up the setup file with the intentions of reinstalling, when there was an option (on the installation menu) to install codecs, which I was missing, apparently (even though it worked before).
So DON’T FORGET YOUR CODECS PEOPLES! -
NEVER MIND I have it all figured out!
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Thanks so much for your help, guys, I’ll take your advice. I suppose you’re right; not much you can use special affects for in a documentary…The documentary is actually a mock-documentary (comedy genre), since all my other films have been on a very, well, gloomy note.
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My bad, my bad…I was actually wondering what kinds of special affects I can put in it, but alright.
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“If you seen is build as a 3D layers, the shadw cast by the object will interact with them beautifully”
What do you mean?