Willie Toth
Forum Replies Created
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Rodney,
It’s hard without hearing a clip … I may be able to help if you are willing to E-mail me a 1 minute sample of the original clip … I would need a sample of the ambiant noise as well … You can remove the dog by using the spectral view that I covered a few post ago … Email me at loganonestudio@aol.com ……….. WILLIE
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Kevin
You may be able to use the FILL SINGLE CLICK filter in SPECTRAL VIEW mode … Bring the wave into the EDIT side and expand till you can highlight just the pop, (make sure you have MARQUEE SELECTION TOOL button punched up) … Once you do that go to VIEW>SPECTRAL VIEW you will see the pop … You may have to expand your highlighted area a bit, but if it is too much this function won’t work … Next go to NOISE REDUCTION>CLICK/POP ELIMINATOR>FILL SINGLE CLICK … This function works well but in this case I think it may degrade the audio … The best way is to prevent it from the get go is by using a pop filter or screen in front of the mic which can be simply made by using a wire coat hanger and nylon stocking … If you go to americanmusical.com and do a search for “pop filter” you can see what they look like … WILLIE
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Mick,
I would go with an outboard system if you are using a laptop … Presonus makes a nice unit that connects via USB … WILLIE
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I used a 16 bit soundblaster card for several years without any difficulty … What type of problem are you having?
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Bryan,
Just E-mail me a minute or so …… WILLIE
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Bryan,
Could you E-mail me a sample of the original clip? I may be able to make it right or at least without digitizing on the voice … My E-mail is loganonestudio@aol.com … The problem with the noise reduction is that first you need to sample just the noise than take it out slowly … Once I lock unto the noise floor I take my first bite at no more than 63% and if I need more I go down to in between 40 and 53% … If I need to remove any more I lower the percentage … If I am successful I will E-mail you the settings I use ………. WILLIE
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Tomas,
There are a gang of boards out there but most of them are “live” boards and not studio boards … Are you looking to increase the number of tracks you can record at once? Presonus makes a unit called the “FIREPOD” It gives you 8 in’s that you can record simultaneously on and connects to the computer via firewire … It is a 24bit-96K recording studio and interfaces with Audition quit nicely … I personally use a Layla 24/96, but you would need to purchase an external board … The older 20 bit Layla’s have a virtual board that is very nice … You can pick up these units on E-bay for 200 to 400 depending on the unit … There are several 4 track PCI soundcards out there as well … I guess it comes down to what you want to spend and the application … I strongly suggest sticking with Audition for your audio needs however … WILLIE
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Ragnar,
Your thinking is sound, but you can have more than one soundcard in your computer, for example I have a Layla card and a soundblaster in one of my computers … I use the layla for recording and the soundblaster for system playback …………. WILLIE
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Once it’s distorted it’s a done deal … Most likely it was recorded that way originally … WILLIE