Tudor "ted" jelescu
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It looks like it could be achieved through a classic morph combined with a displacement (the wavy transition). The Displacement Map is used also as a mask to transition between morphs and the triangular distortion (for a lack of a better word). I am not sure how that triangular distortion can be achieved… Mir or Plexus come to mind as possible sources for a secondary distortion map that can create that, but I’m not sure.
Tudor “Ted” Jelescu
Senior VFX Artist -
This tutorial may help:
https://www.videocopilot.net/tutorials/procedural_crumble/
Tudor “Ted” Jelescu
Senior VFX Artist -
If you can have the images flip over and form the final 4, then Card Dance is what you can use.
Tudor “Ted” Jelescu
Senior VFX Artist -
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Duplicate the layer and crush Levels, apply Keylight and tweak the edge softness, then a Matte Choker.
Use this as a Track Matte.
You will most likely have to create a separate mask for the tree on the right using the same method and a separate one for the static elements (railing …).Tudor “Ted” Jelescu
Senior VFX Artist -
Here’s a good resource:
Tudor “Ted” Jelescu
Senior VFX Artist -
Make sure you set the field order right- for 1080 50i it should be upper field first.
Here’s a good chart for field order:
https://www.motionelements.com/blog/workflow/video-field-order-reference-list
Tudor “Ted” Jelescu
Senior VFX Artist -
7D – I would try a different DSLR – one that can use Mgic Lantern to capture RAW for best color information.
Check out the list of supported cameras:https://www.magiclantern.fm/downloads.html
Painitng rods green – may help, however, I would try to find positioning solutions that would eliminate the need to paint out the rods going in front of the puppet, that will be tough.
Tudor “Ted” Jelescu
Senior VFX Artist -
Submit this to Adobe on their website.
Todd if you see this maybe you can shed some light.Tudor “Ted” Jelescu
Senior VFX Artist -
Dave’s suggestion is a way to go, however if you will loose resolution overall. If it’s just the crisp look that bothers you but you still want smooth edges and not jaggy pixels, you can soften the image by adding noise or grain and/or applying a small channel blur (blue works best in most situations).
Tudor “Ted” Jelescu
Senior VFX Artist